Tuesday, December 20, 2011

Winter Edition 2011

From the Desk Of The Editor
by Frankie (aka Barbara N.)

Oh boy... did this season creep up on me. Suddenly it was the end of November and I had to start thinking about this newsletter. This time I put out a call for submissions and was pleased to hear from some I had not previously heard from. I am sad to say that still some of the guilds have not included their reports but I shall continue to persevere in the hopes that eventually we will have a complete roster of reports to fill our pages. I can understand that it is an extremely busy time of the year, as most of us make many gifts for loved ones from mittens, to afghans, to hats and scarves and even sweaters. This year it’s been socks for me. I finally, after 30 years of knitting have learned to turn a heel and so I have been hard at knitting socks in time to send to relatives and friends alike.

I hope you will find on the pages of our newsletter something to interest you as I have tried to include all sorts of goodies for the Christmas season. In the busy rush of the next couple of weeks take time to enjoy your family and friends and always remember that this is the season of love, hope, joy and peace.... and best of all once the big day is over it is time for thinking about all the new projects for the upcoming year that you can fantasize about! I really hope this newsletter will help you on the road to all your fantasies. For now I will take a moment to wish you all a happy Christmas and success on all your projects in the coming year.

President's Report
by Marion W.

Hello and Merry Christmas to you all.  I hope life has been kind to you all and may the holiday season be shared with friends and loved ones.

I would like to thank Norma, Loretta and Doreen for joining me as the new executive for the PCSW.  We all want and need the PCSW to thrive, so I am grateful to all who volunteer their time and expertise in any way, to contribute to the growth of our club.  Also a BIG thank you to the past executive for their work and time spent in office.

Life has been rather hectic for me the last few months.  We are in the middle of building a new home, while having our present home up for sale.  The new place is coming along nicely and should be completed around the end of January.  Then the big move!  I'm not even going to let my mind go there until after Christmas has passed.  I have also been kept busy with my booth at the GP Farmers Market.  The knitting needles have been flying and I eat, sleep and dream of mittens.  I will need a long break after Christmas.  I still meet weekly with the Lake Saskatoon Weavers, so get some weaving done there.  I am presently putting on a warp for a Mohair blanket.  I am trying to remember what we were taught at Jane Stafford's workshop about weaving with sticky yarns.  Shannon has completed 3 Mohair blankets, so I was hoping to pick her brain if I needed help, but she will be away for a few weeks.  I guess I am on my own with my blanket, but I know that patience is definitely needed.   A few of us get together as well to have a spinning day when we can and keep our wheels in motion.

Our Fall 2011 workshop with Sandra Fearon on 'Shadow Weave' was very interesting.  I have never used the shadow weave technique, so was pleased with the workshop and Sandra's wealth of knowledge on the subject.

We are looking forward to the Valleyview group hosting the Fall 2012 Dye workshop.  We appreciate the new group volunteering so readily with this task.  They are working on the plans for the workshop and we will be getting a report on this for the Spring newsletter.

We now need groups to volunteer for the Spring 2013 and Fall 2013 conferences.  Keep in mind that most instructors need to be booked well in advance, usually 1-2 years.  So get your thinking caps on and come prepared with some ideas on topics of interest for the workshops and be ready to volunteer to host them.

I will close for now and look forward to seeing everyone at the Spring 2012 conference being hosted by the Lake Saskatoon Weavers.  Remember to bring your hand crafted Poppies, as well as any handmade Dolls.  It would be great to see some handmade Dolls from other countries or information on the crafting of them.  HAVE A SAFE AND HAPPY HOLIDAY!            

REPORTS

Beaverlodge
(nothing at this time)

Fairview
by Doreen V.

We have started working again at the Fairview Fine Arts Centre after spending a busy summer travelling, gardening, visiting family, camping and a host of other activities.  At the centre, we had a very successful Alberta Arts Days at the end of September.  Our studio was especially busy.  Loretta and Brittany were demonstrating spinning, while Erika Preus demonstrated her bobbin lace-weaving skills.  Brigitte was knitting up a storm and also showcased some of her finished items, including a sample of tatting as she was offering a course in that skill, which by the way produced a prolific tatter.  The other Sit'n'Stitch members showed their expertise in crocheting, and hardangar.  Since September, we have been getting together on Monday afternoons in the studio.  Loretta has finished her samples from the Spring Conference; Doreen and Maisie continue to work on theirs so that the members of PCSW will have samples of false brocade to place in their sample books.  Ellen continues to work on her three baby blankets and Verla started her second double weave rug.  Doreen is almost finished her three yards of material  and Brittany is working on a beautiful tapestry that she started at the Lake Saskatoon weekend a couple of years ago.  We are all looking forward to the Christmas Season and the new adventures in spinning and weaving that the new year will offer.  One of the courses that we are hoping to participate in is a felting course.  Hope to see you all at the Spring Conference.  Until then keep spinning and throwing shuttles!!
Fort St. John (NPSW)
by Lauralee L.

This fall has been something of a mixed bag, what with weather and various local activities providing distractions.
.
The North Peace Fall Fair was, as usual, a lot of fun.  Entries in the weaving classes looked really good, which was gratifying as we sponsored prize money for  3 classes and the Grand Aggregate.  Several members also baked pies for the Arts Council's booth to support their fund-raising efforts.  For the rest, quite a number of us spent a merry time, both days of the fair, spinning, weaving, visiting and sharing knowledge with fair-goers at our usual station in front of the log house. 

 Our show in the North Peace Gallery, titled "It's a Wrap", came together  satisfactorily.  Rene G. drafted a visiting sister and niece to help and supervised the setup.  We hung  69 pieces (shawls, scarfs, socks and shoelaces) by 11 artists; the variety of fibers, colours and styles was impressive.  33 items were listed for sale; by the end of the show, 2/3 of them had sold.   All in all, quite a successful effort.

The studio drop-in day has been changed to Tuesday mornings this year, Faye E. undertaking to make sure the door is open.  Faye is currently working on a second shadow-weave scarf (the first was woven for a Christmas gift for her son) while Norma C. is preparing warp for a scarf she plans to base on the black and white pattern given in Jane Stafford's Plain Weave workshop.  The green bag warp is still available and abundant!  Laura Lee L. is working on that at the moment.   The Fiber Academy Schedule was set out at the September meeting, and Frankie N. has posted it on the Guild blog (www.npswgetsable.blogspot.com).  October's class was Drafting for Weaving, continued by Cheryl P. (also "continued" on December 10), November was Kumihimo, taught by Frankie N., but the rest of the schedule was postponed because the Arts Council's fundraiser, the Christmas Ornament Exchange, needed the space during most of November.  Things should get back in gear by January.  Similarly, the Intermediate Study Group's  Shadow Weave project will be running into mid-December or later to work around Arts Council activities.

The Guild has received a grant which will cover most of our studio rent, and we have been working on projects we can sell to help raise some extra funds.  We are also applying for a grant to fund a workshop sometime in the spring.  Here's hoping!  In the meantime, a 1-day Art Journalling workshop facilitated by Barb Daley is definitely in the works for January 28th.  It will cost about $100 per person, half the fees due by December 17 to confirm registration, so that Barb Daley can contact each person in advance to personalize each project.  A journal and art supplies will be included, so it's a pretty good deal. 

Our December 17th meeting will be our annual Christmas get-together, once again generously hosted by Rene G.   As usual, we expect to indulge in a lot of visiting, good conversation, show and tell, an overwhelming pot-luck lunch (we always bring enough for an army and a half), and a gift exchange which is always entertaining (it's a long-standing custom to try to guess who made what, which can be quite a challenge) as well as rewarding.  The theme this year is "a handmade article", which translates into "anything goes" so we'll be expecting to see some nifty gifts and have a lot of laughs.  And afterward, the really hardy among us can toddle off to the Community Choir concert the same evening for a double "Christmas fix".  Should be fun.

Since writing this report the NPSW has had their Christmas gift exchange and you can view pictures here....

Hines Creek
(nothing at this time)

Hudson’s Hope
by Barbara N. (Frankie)

Hi folks and a Merry Christmas from all your friends in Hudson’s Hope. Our little group, for the last two years, was down to two people but this year I decided to actively seek some new members. (Don’t ask me where the energy for that came from.) Quite happily, I was able to lure two more members to our group. One lady, who has been a long time resident of HH finally caught the bug... and boy does she have it bad! Without a single lesson she showed up on my doorstep for our first meeting with her new wheel in hand and several metres of singles spun from roving she had purchased sight unseen. Then she proceeded to tell me about the 60” jack loom that she had purchased from a lady in Quebec which was winging it’s way to her. She couldn’t wait. We had a productive afternoon of talking shop and I found out what it is that she has in mind to learn. She wants to weave a jacket with her own hand spun she informed me... and with her very obvious tenacity, I’m sure she will succeed in that department. Since then she has received her loom and being a self starter, she is working away at threading her loom using nothing more than an instruction manual for help. I would head up to her house to help her but we haven’t been able to get that together.

The other new member spent a productive afternoon trying out a drop spindle after discovering that her wheel, which her husband made for her actually needs an orifice if it is going to work.... thus the drop spindle. She has several baggies of fibre to try out and get her started, and we will meet again in the new year when hopefully both new members will be well on their way to becoming spinners and weavers. I am also working on getting them to join our group in FSJ. Meanwhile Carol and I continue to meet on every second Tuesday for a day of spinning. Carol continues to work on socks in four or six plies but she has given me notice that she is ready to try spinning a woolen yarn for a gainsay.... we will give that a try in the new year I guess.

Meanwhile, I have been diligently working on my level 5 books right up until I finally had to put them away for the Christmas rush.  I will be working on them again in the new year. Meanwhile I have been working on a ramie table cloth inspired by this one....


...which was originally going to be my 50 hour project for level 5 but will now become a wedding gift for my nephew who intends on getting married next year. I also, after thirty years of knitting, finally bit the bullet and learned how to turn a heel in a sock and so have been churning out sock after sock from home spun/hand spun yarn that has been accumulating over the years.  the latest pair look like this....
 and I am now working on a pair for a little girl who is a friend of the family and they look like this so far...

And in addition to that I have a new addition to the family.... no I did not have a baby..... nor did I adopt! I recently purchased a 32” four harness floor loom and for a very good price (it’s just as good as a new baby though!) However, when I got it home the reed, I felt, was far too rusted for my expertise to clean up. So it is sitting in the shed until someone gives me a brilliant idea on what to do with it and I have ordered two lovely stainless steel reeds which I am anxiously waiting till Christmas morning to get my little paws on. I have to wait because my dear husband is giving one of them to me for Christmas and my father is giving me the other.  “I can’t wait,” would be the understatement of the century. As a result of my new purchase, I will be participating (hopefully) in the NPSW fibre academy’s new project in the new year. We will be getting together to weave samples of shadow weave for a swap to make a blanket/afghan..... I’m very much looking forward to becoming a better weaver. In the meantime I have retired my 7’ tri-loom to the shed and I have purchased two new pin looms from Hazel Rose looms in the states.... I am looking forward to having the opportunity to weave on them both in the near future. I also have been taking odds and sods of wee baggies of fibre, (you know, all the little samples that we get from workshops) and have been churning out what I call Crazy Batts. I take all the bits of fibre and run them through my drum carder a few times and turn out lovely larger batts full of this and that. No measuring so there can be no duplication but I try to get 200 grams of fibre with 100 grams in each batt. They really are fun to make and what’s more is that they are fun to spin... and I have been spinning them...!  I’m not sure what I will make in the end, but I’m thinking on it, and I’m sure I will come up with some magical idea no doubt.

And so, Christmas has been sneaking up on me and I’m sure I don’t know where the autumn went. Soon we will be gathering for the conference in the spring.... in the meantime I wish each and every one of you a blessed Christmas season with all good things for the new year. Happy spinning and weaving.


Sexsmith
by Mae Trelle

It is hard to believe that Christmas is almost upon us.  So far the weatherman has been kind, but for how long.
  We are all busy with various projects.  Shannon has just completed her second afghan.  Beautiful.  She is off to Florida until after Christmas.
  Marion is threading a mohair afghan in turquoise, maroon and gold.  Interesting.
  Joan just completed a tote bag with variegated synthetic fibre.  The colours are pure fall, brown, gold in mixed shades.  Very attractive.
  Gudrun is working on place mats in mixed colours.
  Mae is still working on the shawl.  It is turning out beautiful, but very slow going.  The shed on this new 8 heddle loom is very narrow and one tends to pick up.  Having so many threads (949) adds to the problem.
  Verna May is starting to thread place mats.
  Nancy is working on hand towels.
  We have been talking about the spring conference.  Poppies, and dolls.  Needless to say we are looking forward to seeing everyone.  Always a joy to hear what everyone is doing.
            May all the joys of Christmas and New Years be yours.

Valleyview
by Jody McLean

The Valleyview Group Says Hello to Everyone.

We normally shut down our meetings for the summer and then get back into our routine of meeting the first  Saturday of each month in the fall. We had our first meeting in October, where we chose a committee to work on the dye workshop with Barb Robinson planned for next September.


We also laid out our plans for the winter coming up.  We  made plans for a Nuno felting day, a weaving day and a day for learning special techniques when working with dyed rovings. Some want to learn how to spin a cabled yarn  and how to control spinning thick and thin and the list goes on.  It looks like it’s going to be a busy and interesting winter!

 This week we started on our list of things to learn with a Nuno Felting day.  Jody McLean took a course with Sharon Costello year before last and was quite happy to pass on some of the techniques Sharon used. Most of us did samples so we can see how different fabrics interacted with the wool. Some worked really well and others, well….not so well.  There is value in doing samples.


At our November meeting, we set out plans to do a Christmas exchange. We each made a simple, small gift and wrapped it. Each participant drew a number and we took turns picking our gift. The range of gifts was wonderful. Each of us came home with something homemade and precious.


As a group we are looking forward to a winter filled with fibre fun and new things to learn from each other.

Pot Pourri
by Barbara Nichols

I’m sure I won’t be able to even come close to the wonderful writing and musings of Joan but since she was unable to fill this slot at this time, I thought I would try my hand at writing a little something for this Christmas newsletter.

A while back I saw this great little cartoon on the Internet and had to give myself a mental shake as I realised that more and more technology and the old crafts that we practice are meeting, greeting and in some situations shaking hands while in others... not so much.  Recently I was reading online, as I quite often do, about the history of textiles. I had come upon a really neat website that was a essay on the history of textiles. Here was a good example of when our ancient art comes into contact with modern technology. Evidently, human beings may have begun wearing clothing as far back as 100,000 to 500,000 years ago. How in the world do scientists figure out that we have been wearing textiles that far back, I thought. I mean it is not very likely that textiles from those times have survived. Textiles do tend to break down over time and usually there is not a lot left to analyze. Well, I discovered that it is thanks to the lowly louse that they are able to understand much about early human textile development. “Genetic analysis suggests that the human body louse, which lives in clothing, may have diverged from the head louse some 107,000 years ago, evidence that humans began wearing clothing at around this time.”

We also know that textiles were in use because the tools people used have survived. “The earliest definite examples of needles originate from the Solutrean culture, which existed in France from 19,000 BC to 15,000 BC. The earliest dyed fibers have been found in a cave the Republic of Georgia and date back to 36,000.” I find it hard to believe that dyed fibre can remain for so long a time but then I am not a scientist. The first actual textile, as opposed to skins sewn together, was probably felt, they think. What I found to be most interesting about this article was the fact that they were using modern technological developments for analysis of small fragments of clothing that survived in part due to perfect climatic conditions.

Last year, on Quirks and Quarks on CBC radio there was a program regarding the development of a computer printer. But this was not just any printer, this thing could print out any three dimensional object from turkey dinner to the dress you would wear for a new year’s eve party. It would take some kind of base material like a protein in very basic form and turn it into whatever you wanted. It seemed weird to me at the time. Very Star Trek-like. But then I went to Olds over the summer and learned about all the regenerated and manipulated fibres that are hitting the market. Bamboo and Soy Silk, there is even Silk Latte from milk proteins and I began to realize that maybe computers that generate textiles and turkeys is not so far fetched as one would think.  Still there is something very appealing about sitting with some natural fibre in your hands and letting it slip between your fingers in order to make something wonderfully your own, don’t you think? Very traditional and simple.

So it is with interest that I look at the world of ancient textiles and techniques and see how it comes together with modern technology to give us a view of our ancient ancestors that we might not have otherwise had. I’m not sure we will ever get to the point where technology and textile production will be part of our individual lives in the sense of our cartoon or in the case of the computer printer, but I’m not sure I want it to.... I’m just happy to sit down with a spinning wheel in front of me or my loom in front of me and spin or weave away. That’s technology enough for now.

Spring Conference Information

All About Dolls
April 28th
Lake Saskatoon Hall
8:30 a.m.-4:00 p.m.

Days Events:

8:30    Registration and Coffee
9:00    Commence with Poppies Challenge (see information below)
10:30    Coffee Break
11:00    Meeting
12:00    Lunch
1:00    Dolls Demo
3:00    Show and Tell
4:00    Final wrap up

Bring and Buy Table   

If you have something to give away or something to sell, put a sticker on it and we will put it on the table (bring change).

Bring and Brag

What are you working on? Show off what you have done over the winter!

More information to follow in the spring newsletter.



FYI

SHADOW WEAVE
by Rene Giesbrecht

    After the great workshop on shadow weave a group of us in Fort St John have decided to study the structure further.  The following is a bit of what I have found during my research.

    Shadow weave, a weave structure introduced in 1942 by Mary Miegs Atwater, has alternating dark and light warp and weft threads.  During World War II, linen, specialty yarns and wool yarns were not available. Mary Miegs Atwater created shadow weave to feature cotton which was available at that time.  Mary Miegs Atwater, the publisher and writer of the Shuttle-Craft Guild Bulletin, wrote, “Cottons appear to be the best bet for our work during the next few years.  I am really glad of the necessity to turn to cotton.  We have never used cotton very cleverly and now is a good time to improve our cotton techniques”. (Shuttle-Craft Guild Bulletin, Feb.1942)

    When the two colours used is shadow weave have a high contrast, the pattern shows very clearly, but interesting effects can be achieved with less contrasting colours or other forms of contrast such as thick and thin, shiny and matte or smooth and textured.  Using other forms of contrast would be an interesting study.

    Shadow weave consists of two thread pattern blocks which can be threaded and treadled singly or multiple times.  Because each block is basically plain weave, the blocks can be repeated many times without weakening the fabric structure.  There are small floats where the blocks adjoin.  These floats are only two threads which makes the resulting fabric an excellent choice for a wide variety of uses including upholstery, rugs, scarves, yardage, towels, etc.  There are no threads to catch on and it is a firm, durable weave.

    Shadow weave is usually a balanced weave meaning that the ends per inch equal the picks per inch.  The cloth is completely reversible.  There is no ‘right’ side, however the vertical stripes on one side become horizontal on the other side and dark floats on one side are light on the other.

Threading:

    There are 2 ways to thread shadow weave.  In the Atwater method the basic pattern is threaded on alternate threads and the ‘shadow’ threads are threaded on the opposite shaft.
Example – 8 harness pattern:

 H       G       F       E       D       C       B       A  = Blocks
4,8   3,7     2,6    1,5    8,4    7,3    6,2    5,1

The first thread in each block is the pattern thread (block A=1, B=2, C=3 etc).  The second thread in each block is the shadow (block A=5, B=6, C=7 etc).

    The second or Powell method produces the same results in terms of the fabric but each block is threaded on adjacent shafts.  The same blacks are still opposites but the same pattern looks like this:

H       G       F       E       D       C       B       A = Blocks
7,8    5,6    3,4   1,2    8,7     6,5    4,3    2,1

Again, the first thread in each block is the pattern thread and the second thread is the shadow.
You will find that both methods are used today depending on the publication and sometimes even within the same publication. 

Treadling:

    There is a wide range of treadling possibilities on a shadow weave threading.  Usually the treadling is ‘as drawn in’ but as long as the pairs of alternating opposite shed wefts are maintained any twill threadling will produce viable patterns.

    It is my sincere hope that I haven’t confused you but given you a taste of what shadow weave is about.  Hopefully this will spark an interest to inspire you to thread your loom and try out the fabulous structure.  There are so many possibilities and this could be an interesting study for some time.  Perhaps the results could be shared at a future conference.

References:

In the Shadows – Sandra Fearon
Weavers Magazine, Issue 16 1992
1000 Patterns in 4,6, and 8 shaft Shadow Weaves – Marion Powell
A Weaver’s Book of 8 Shaft Patterns – Carol Strickler

 
by Shannon N.

Having completed a few mohair blankets and finishing them on the gentle cycle in my washing machine, I became curious as to how much agitation and heat can mohair take before it felts. 
My plan is to make a jacket, but I wanted the material to be quite firm.  My curiosity expanded from agitation and heat to picks per inch, and using different fibre. 

Here are the results for the following:

Purple Mohair Weft -  6 ends per inch and 6 picks per inch (unless stated)

1. Original off loom sample – not finished

Weft:   Navy Blue Mohair with mohair stripes
Size:    5 ¼ inch x 10 ¾ inches

2. Finished – Different Agitation and Temperature (Speed Wash on my machine)

Multiple Stripes       +         Medium Agitation    +         tap H2O
           
Weft:   Red, Blue, Dark Grey and Light Grey are mohair
            Yellow and Purple are Shetland wool
            Note- The wool definitely pulled in (shrunk) more than the mohair
Finished:
            Width –           shrunk 8% with mohair
                                    shrunk 10% with wool
            Length-            shrunk 10%
                       
Red Grid Effect         +         High agitation                       +         warm H2O
           
Weft:   Red Mohair pick then Purple Mohair pick
Finished:
            Width- 15% shrink
            Length-            10% shrink
           
Twill  +         High agitation                       +         Warm temperature

Weft: White Mohair – 8 picks per inch
Finished:
             Twill part width –       25% shrink
            Length-                        unrecorded

3. Finished- Different picks per inch

High Agitation          +         Hot Water      +         Speed Wash

Weft:  Red Mohair with shot of white mohair
            10 epi              weft 20% shrink with red predominant color
            8 epi                weft 20% with red a little less predominant color
            7 epi                weft 25% with more even purple red mix (more red)
            6 epi                weft 25% with even purple and red
            5 epi                weft 26% with more even purple red mix (more purple)

Length                         20% shrink generally for all

           



Classifieds

From Cheryl Peebles Studio and Gallery
Hi All,
After a hiatus of almost a year I am happy to announce that I have my studio/shop up and running once again.

Last fall after 2yrs in a retail location I concluded that the overhead expenses were greater than my business could comfortably manage - so I closed it out - put remaining inventory in storage and settled in with a very over crowded home... (no basement). We own both sides of our duplex and many times friends & customers suggested using the rental side as my studio. Well after the tenants moved out in July we decided to do just that... among other things - we figured if I was paying rent somewhere it might as well be to us (since we still pay on a mortgage). With several reno projects - working full time & life in general - we slowly moved in the shelving, looms, inventory & all the handwoven, handspun, knitted items already produced & well, as of a week or 2 ago.... We are open for business... Officially Saturdays all day or by appointment any other time (remembering of course that I still have a full time job).  It is a tight squeeze and I am working on slowly bringing in more inventory to freshen up the supply. But, well, I still have a pretty good assortment. From time to time I will send out an email letting everyone know of new additions to watch for.

As to yarns & equipment - I specialize in yarns, threads, accessories and equipment for spinning, weaving, felting & dyeing. Of course I do have still knitting supplies as well. I am happy to special order anything a customer may need if I don't have it on hand. My big focus here will be producing my own unique pieces in studio.
It's a happy day -

Contact Information
Cheryl Peebles Studio and Gallery
church_peebles@yahoo.com
ph 250 785-1680

Saturday, August 20, 2011

Summer 2011 Edition

 From the Desk of The Editor
 by Barbara Nichols (aka Frankie)

Here we are heading into the end of the summer and the beginning of what I hope, turns out to be a lovely and long autumn. After the horrible weather and terrific amounts of rainfall this spring I’m sure some of you are disappointed with the results of your gardens… I know I am.  My carrots are looking great but that’s it… beets, tomatoes, and flowers are all sad and pathetic. I didn’t get any beans to grow and I never got one potato into the ground in time before the flood conditions hit. The ground was so wet after that, I gave up in despair.

The newsletter has been on my mind pretty much all summer.  I have had many thoughts about our little publication and I am finding that I am not getting the enthusiastic response for articles that I was hoping for.  I have been writing articles for the newsletter to help fill the gap but I would like everyone in our guild to think long and hard about the spinning or weaving topics that interests them. Writing a short little article about why you like something and how it works and then submitting it for publication will feel like a million bucks, I guarantee it.  It doesn’t take long to put together 150 words, and I know you all have the knowledge.

I was disappointed once again that some of our member guilds are not submitting reports to the newsletter either even after being reminded of the deadline date.  Please bare in mind that even if your guild is not currently doing much you can still write a little about what you are doing personally. We love to hear from you all.

You will find in this newsletter a reminder from our president  that our annual AGM is coming up and this year there will be elections.  It is important that we keep this guild alive.  I for one, love to get together with everyone to see what is being done by the individual members as well as the group projects that some of us get involved with.   So keep in mind that taking on an executive position is necessary if we want this guild to continue. You will be benefiting so many and two short years is such a small amount of time in the whole scheme of things.

I hope you will enjoy this newsletter even if it is a little sparse. You will find on our pages this summer information regarding the Fall Conference, and Pat Markin has asked me to let everyone know that there has been a last minute cancellation so if there is someone who would like to participate in the conference then there is still available space you just need to call her or Loretta Scaley.  In addition, I would like to remind you that if you are coming to Hudson’s Hope this September you should book your hotel room early since there are many crews for the oil and gas industry filling up the rooms of the various hotels. The Best Western and the Sportsman Inn are the two hotels but there is a lovely B and B called Gething House as well. 

I have included a short book/DVD report on recent purchases that I made from the Interweave Press Annual Hurt book sale. For those of you interested in extending your fibre arts library there is something for all.... weavers, spinners and knitters... So do have a look.
I had hoped to include an article by Cheryl Peebles regarding her recent change in venue for her fibre related business however, due to time restrictions, and an unexpected trip, I was not able to include it in this edition. I hope to have that for you in the next edition in November.

Enjoy

President’s Report
by Renate G.

It’s hard to believe that two years goes by so very quickly.  Thank-you for all the help and support you have given me in my time as president.  Special thanks go out to the rest of the executive and newsletter editor – it has been great working with you.
            This is the year we ask you to step forward to join the executive and help out with the organizational areas of the guild.  The more you put into the guild, the more you will get out of it.  Marion is looking after nominations so I would encourage you to contact her to volunteer for a position or to nominate someone you know would be excellent in that position.  Please consider this carefully and think about what role you can play in this group.  Your input is vital to keep PCSW vibrant and successful. 
Lynne Brown, VP of Threads and Thoughts, has written a chart of how organizations succeed and why they fail.

Successful Groups
1.      a clear purpose for being
2.       shared vision and values
3.      active engaged members
4.      board (executive) members who understand the group and have a passion to see it succeed

Destined to Fail Groups

1.     lack of interest in the purpose
2.     no vision
3.     fewer, reluctant members
4.     board (executive) members who feel pressured to perform, possibly serving in the same position numerous times
 She goes on to state that the number one killer of organizations is a failure on the part of members to engage, participate and spread the message about the group.  I found this very interesting and I think it is clear what our jobs are to keep
PCSW a strong, enthusiastic group, sharing our passion of spinning and weaving.

            I am thrilled to report that Valleyview has offered to host the fall 2012 conference.  They have a great idea for a dyeing workshop suitable for both spinners and weavers.  You will hear more about that at our meeting.
            Unfortunately, due to a lack of registrants, we had to cancel the ‘Art Journaling for the Fibre Inclined’ workshop.  I guess we are not quite ready to offer two workshops yet.  The local Fort St John guild is hoping to book Barb for that workshop for sometime this fall or winter so if any of you are interested in attending let me know and I will put you on the list.
            If you are attending the shadow weave workshop you should have received the warping instructions by now.  If for some reason you have not, let Pat know and she will get that out to you.  Remember Sandra Fearon will give a talk and presentation on testing for the Guild of Canadian Weavers on the Friday night.  Even if you are only mildly interested in the testing program I think you will find this information and seeing the samples, valuable.  On Saturday we will have an extended lunch hour to accommodate our AGM.  I hope to see you all there.
            The lovely summer weather has arrived – a great time for spinning and weaving outdoors enjoying the fresh air and catching a few rays.  I have a couple of jars on the deck ‘cooking’ some goldenrod and flower petals to dye some fleece.  Hope to hear about your summer projects and see some too……………….Rene

PS  Recently I came across a website that I really enjoyed.  The first weaving show I attended was in Sardis, BC at Coquleetza (a native arts centre).  It was on Salish Weaving and all the dyes used were natural and  all yarn  handspun.
This virtual show showcases that work.  The show is called ‘A Journey into Time Immemorial’.  www.sfu.museum/time/en/panoramas/long-cook/weaving/20/

Fort St. John, North Peace Spinners and Weavers' Guild
by Lauralee Life

After a spring that was more like a west coast winter (heavy wet snow, cool spring and more than enough rain) we've finally got into some summer weather (fingers crossed, touch wood!).  Despite that, we've managed to keep occupied.

First and foremost, our studio space at the Art Post II is confirmed for another year so the looms can stay set up!  A good thing too - we have 5 set up and going. Norma C. has been finishing off the last of the shawl warp she and Faye E. put on the big loom.  Sue Popescu dropped off another miscellaneous lot of mixed yarns recently, so no doubt something else will soon be planned for that loom.  There is still lots of the double weave warp available, though it looks like the bags already woven (about 11 so far) will have to be taken off  because the front beam is so full.  Faye E. is warping one of the 36" looms for scarfs.  The crackle weave runner/placemats on the other is on-going - just the thing for making up some Christmas gifts.  Norma C.'s table loom is available to make waffle weave samples; Marjory A. is currently working on that.  For the spinners and felters in the crowd, Debbie S. has donated a couple of bags of alpaca fiber for members' use. It's not top grade, mainly because of second-cuts, but there's plenty of potential for experimentation there.  The Intermediate Workshop group has been challenged to weave a project using waffle weave by the end of September - scarves and shawls for our gallery show were suggested. 

Our April meeting was a shoelace workshop (tablet, inkle, and kumihimo techniques)  - as well as an unseasonably snowy weekend!  Most members made the meeting, but the northernmost member (the author) was snowed in for 4 1/2 days with 19+" of snow on the driveway.   May, though windy, was more like  spring, and we trekked off to Frankie's home in Hudsons' Hope for a convivial afternoon of crafting, yarning and visiting.  Our June meeting was our annual outdoor dyeing potluck at Mary T's cabin on Charlie Lake.  This year the pots on the fire contained birch bark, marigolds, alder bark and lilac cuttings.  The birch bark managed to produce a weak beige, as did the lilac cuttings - it was speculated that the lilac might benefit from crushing and steeping first - but the marigolds gave some fine golden yellows and the alder - well steeped this year - dyed dark tan to medium brown with a pinkish tinge.  The pink washed out later, but the browns held up well.  It was interesting to note that the alder, though harvested at the same time as last year and steeped longer, did not seem to produce as strong a dyebath.  So we might try alder another year, just to see what happens.

A merry group went down to Olds College this spring for their master weaver classes.  Rene G. and Frankie N. worked  on their level 5's, Marjo W. did level 4 and Debbie S. and Sue C. started level 1.  Marion W. from Sexsmith, a kind of past and honourary member of the Guild,  joined in while she worked on level 5.   It was not all classes and work; by all accounts some serious store prowling and shopping also took place!

Closer to home, Cheryl P., Marjory A., Jill S. and Norma C. displayed and demo'd at the July 1,  Art In the Park in Fort St. John, even making some sales.  Later in the month, Norma C. and Linda H. demonstrated spinning in a local garden for the North Peace Horticultural Society annual Garden Tour.  These outings are one way to make ourselves visible, but they are also a lot of fun.  Come August 20 & 21, a bunch of us will be hanging out at the North Peace Fall Fair for the same reasons.  From July 22 to 24, Frankie N. once again hosted our summer Dyeing Retreat, out at Hudsons' Hope.  Reports are that the weather was good (it was a wettish weekend in the Fort St. John area), a lot of fiber got dyed by various methods, and a good time was had by all.  The last week in July, Laura Lee L., Faye E. and Marjo W. set up a display of dyed fiber and natural dyestuffs in one of the North Peace Cultural Centre cabinets. The variety of colours and that they came from locally available dyestuffs were particularly gratifying.  With luck and modifications, the display can stay up until our gallery show opens at the beginning of October.  Our fall meeting will be September 17, 2011.

September 23 - 25 will see P.C.S.W. members, and others, gather in Hudsons' Hope for the annual 2-day workshop.  Sandra Fearson will be teaching Shadow Weave, which sounds super interesting.  A few more participants can probably be shoehorned into the class, if they register quickly enough.

Hines Creek
by Lorena V.

While weaving at the Arts and Crafts Centre is on hold for now, I have been weaving at home some of the time.  Seven placemats in  4/1 basket weave blocks, 4/8 cotton warp and the fine weft with flannelette fabric strips of various prints and plains, have been finished and given away – all I have left is the sampler I wove with 4/8 cotton only.  Now I am ready to weave a cushion cover – tan and brown orlec warp to be woven with a variegated dyed bamboo yarn.

Heritage Day August 1 was a busy day at the Museum where Erica, Olive and I demonstrated our crafts – bobbin lace and spinning by Erica, hardanger embroidery by Olive and Kumihimo on-a-card and weaving on a new small rigid heddle loom by me.  Several children and a few adults wove samples and seemed to be delighted at the chance to weave.  There are lots of people interested in learning what bobbin lace is all about – it is fascinating and lovely.  Olive does lovely work in hardanger, a Norwegian embroidery.  We enjoyed our day in one of the historical houses at the museum.

I attended the Hand Weavers, Spinners and Dyers of Alberta Conference in Calgary in June – enjoyed it very much.  Next year’s conference will be held in High River, and I believe they have chosen alpaca as the theme.

Looking forward to the Fall Conference in Hudson’s Hope


Hudson’s Hope
by Barbara Nichols (aka Frankie)

After I returned from my annual foray down to Olds College for the Master Spinner Program I came home with a head full of ideas.  The first thing I tackled was getting the 150 hour project finished for my level 4 homework, which I never got finished till the end of July.  Remember when eight weeks of summer vacation seemed like a really long amount of time…. not so anymore.  I seem to feel that I turn around twice and summer is almost over. But I am hoping for a nice long and drawn out pleasant autumn. 

As I was saying the first month of summer was taken up with my 150 hour project.  I spent weeks and weeks preparing a blend of 50% merino, 30% cashmere, and 20% silk for a lace and fairisle shrug.  I was really pleased with the results though my cast off as usual was a little tighter than I would have liked. 


I have bought a new DVD set called The Knitters Companion and each day I watch a chapter in the hopes that I will become a better knitter. There is a section on casting off so maybe I will learn a few tricks.  I hope to bring my shrug along with me to our fall conference to show and tell if I have received it back from my instructor who is marking it.

After I finished the shrug I began spinning some ramie which I will use for a woven table runner. I hope to spin some flax for use in this project as well. I love the ecru of the flax against the stark white of the ramie as a highlight. I am trying to decide if I should weave this on my rigid heddle loom and use some pickup or manipulated techniques or if I should just warp a four harness and be done with it and weave a pretty pattern.

At the same time I am working on a Sumak tapestry in cotton skeins that I dyed while in Olds this summer. This wee project is something handy to take with me in my purse and so it travels quite a bit since I am working on a small piece of cardboard.  I am weaving an Iris that I designed myself.

I am also working on one other project on my other spinning wheel.  I took a liking to a rare breed of wool this summer that I had the opportunity to try while at Olds.  It is called Swalesdale and it is quite a coarse and kempy fibre but I love the wonderful texture that all the kemp adds.  I have ordered and am spinning enough to knit this pattern, 

which is a pattern that I have wanted to try since first seeing it in the late 1980s.  I will keep you all abreast of this project.

Meanwhile I am happy to say that I have met two new possible members for my wee guild here in Hudson’s Hope. They are both interested in spinning and one lucky lady has a great wheel at her parents home in soutern B.C. which she is hoping to get shipped here eventually.  The other lady is also interested in spinning but also has an interest in weaving as well. 

Carol says to say hello to you all as she continues to work on her six ply high twist yarn for her latest pair of socks.  We still get together over the summer even though she is working full time.  Lucky her… her job allows her some free time to knit… now why can’t we all get jobs like that!

I sure hope you enjoy the rest of your summer and I sure hope we have a lovely long and pleasant autumn. See you all in September.


Saskatoon Lake
by Mae T.

Summer 2011
  Summer according to the calendar but the reality has been debatable.
  Everyone is busy.  Marion and Joan are weaving rugs using yarn left over from other projects.  They are a mixing the colours by twisting two or three strands together.  The results are beautiful.
  Shannon is weaving her third mohair blanket, all unique and eye catching.
  Mae has finally got her shawl threaded and ready to weave.  With so many delays she wondered if the day would ever come.
  Gudrun is weaving place mats in varied colours.
  Nancy is weaving tea towels.
  Verna May is weaving a silk scarf.
      Happy Weaving,

Fall Conference/September 23, 24 and 25th/Hudson’s Hope
A two-day workshop to discover the elements of Shadow Weave design from the subtle to the psychedelic, exploring ways to alter the colour placement, tie-up and treadling, to create unique designs.

Friday 6 pm:               will be  ‘Meet and Greet’ starting a 6 pm with a presentation by Sandra Fearon on the Guild of Canadian Weavers Testing program that leads to a Master Weaver designation. A glass of wine and appies will be on hand. A small donation toward the cost would be appreciated.
Saturday:            8:30-9:30am                        Sign-in(membership fees and workshop balances)
                        9:30 – 12:00 pm             Workshop
                        12:00 – 1 or1:30 pm              Lunch and AGM
1:30 pm-5 pm                   Workshop
After 5 pm                   Supper break (cost not included in registration)
After supper             more workshop/show and tell
Sunday:                       8:30                 Continental breakfast
           
If you have something you would like to sell, trade or give away, there will be a table on hand for this.
Have something special you would like to show us? Bring it along!
If there is something else you have a hankerin’ to do/demonstrate Saturday evening while here let me know and I’ll see if I can arrange it!

FYI
by Barbara Nichols (aka Frankie)
 

I had a little bit of a wind fall this spring and so I decided to spend it on some new books from the Interweave Hurt Book Sale.  By the time I had finished ordering I had 5 new DVDs and 7 new books... let me assure you it was a relative fortune... but thanks to the Annual Interweave Hurt Book Sale I got them all at fairly good prices. Some are Weaving books/DVDs and some are spinning books/DVDs, and some are knitting books/DVDs.  I thought perhaps for those of you looking to invest that a little bit of a critique might help you make a decision about books that you otherwise might not think of.


Let me start with the DVDs....


A Spinner's Toolbox
by Judith Mackenzie


This DVD was full of information on how to spin yarns of all sorts.  She began by explaining the basics of a good worsted and a good woolen showing methods for preparing the fibre and for drafting the fibre to get the best results.  It was very thorough and though I would debate some of her finer points, for the most part I felt that even a beginner could learn by using this DVD. She soon goes on to explain the difference between semi woolen and semi worsted yarns and this too is helpful in every way, since she again includes good tips for preparing fibre and for drafting techniques.  Where I felt the DVD was bang on was in her demonstration of slub yarn and Boucle yarns.  These yarns are not easy to make even if you are a seasoned spinner but Judith with simplicity seems to make spinning even the most difficult Boucle look easy. Watching these yarn being spun on the DVD was so helpful that I may never go back to a book description again.  Though I do have to say that perhaps it is just that Judith is such an adept spinner. I would recommend highly this DVD if you are looking for tips on how to spin anything from a basic yarn to a novelty yarn.... on a scale of 1 - 10 I give this DVD a 9.


Handspinning Rare Wools
by Deborah Robson


Obviously this lady has the knowledge of rare wool breeds.  This DVD is not for everyone... that is to say that not everyone is interested in sheep breeds, let alone rare wool breeds or sheep at all for that matter.  If you are pleasantly satisfied with buying your fibre commercially prepared and find working with greasy fleece off-putting then you may want to skip this DVD.  However, if you like wool fleece and enjoy grubbing in the greasy raw material then this DVD will be of infinite value.  Rare breeds of sheep are losing their place in the commercial market and this lady is passionate about saving these breeds for hand spinners, there is no doubt of that. (She even sheds a few tears!) But this DVD is full of information about how to wash each fleece and what each fleece is best suited for. She covers most of the rare breeds of England and the United States including ancient breeds and more modern breeds, short fleeced breeds and long wool breeds. The one fault that this DVD had was that it did not go further and talk about rare breeds of other continents and locales. It is not for the faint of heart and you may find yourself re-watching the last chapter as there is a wealth of information. I found that I had to watch it over a period of a few days just to be able to digest all the information. On a scale of 1 - 10 I would rate this a 7.5.


Spinning For Lace
by Margaret Stove


WOW! What a wealth of information... this by far gets a rating of 10 on my scale of 1 - 10. I'm sure you will agree that every spinner will at some time get their hands a a bit of merino, be it commercially prepared or raw. This woman knows all kinds of tricks for spinning merino top notch. There is so much helpful information on how to spin a really good merino yarn that I had to watch 6 times (get that 6 times!) in order to take it all in.  I'm sure that when I go to spin the next lot of merino I will have this video rolling away in the background, in the hopes that her pointers will help me.  Interweave Press has done an outstanding job with this DVD. It is clear with really good close ups of what Margaret is doing with her hands.... it makes me want to go right now and dig out some merino to spin.... I can't recommend the DVD highly enough... There is a book that goes with it and quite frankly I'm saving my dimes so that I can get that too.  Run right out or turn on your computer now and get it... it will help you I'm sure.


The Knitter's Companion
by Vicki Square


This is a great little DVD... somewhat simplistic at the beginning since she covers every aspect of knitting but that is what is great about it... there are great demonstrations of beginner knitting techniques but as the video continues there are great tips for people who have been knitting for years. She teaches continental knitting and English knitting and she even tackles some more modern methods. From casting on, to casting off and everything in between it's all here.... I did find that some of the close ups were not close enough and there is a compendium book that you can buy and I would think that this might bridge the few gaps in the DVD.  I suggest that this DVD and the book together would be a 9 on a scale of 1 -10. 


Weaving On A Rigid Heddle Loom
by Jane patrick


Now I'm not a weaver in that it is not my first love.... but I do enjoy my rigid heddle loom.  This video was really good and not so great all at the same time.  It was truly inspirational... I wanted to get out my loom and get to weaving right away... there are very good descriptions on how to set up your loom and weave plain weave and even when she begins to talk about manipulated methods of weaving like Swedish medalion and leno it all makes sense. But form there the video goes down hill. Jane herself does an outstanding job... but I found that too much was taken for granted. The whole section on pickup was a lesson in frustration. I was unsure of what she was taking about half the time.  I will need to watch this DVD at least 20 to 30 times before I feel I am confident enough to tackle pickup of any kind let alone with several pickup sticks... yikes. But you experienced weavers out there may just love this video... a simple tool like a rigid heddle can do so much.... it's really inspirational. If you have been weaving on a four harness loom and have forgotten the joys of more simple weaving then this video might call you back to a simpler technique of weaving.  On a scale of 1 - 10, I give this video a 6 (and maybe a half if you can figure out what she doing).


As for my book selections.... here goes....


A Knitting Wrapsody
by Kristen Omdahl

As with most new knitting books coming on the market these days it is full of lovely pictures. The patterns are fresh and original (check out the Infinity cardi-wrap... it's awesome).  It has everything from lace shawls to vest and wrap around skirts.... it is quite the little knitting book.One problem as with most knitting books there is not a lot of helpful information regarding yarn and how to go about switching for something similar.... I rate this book a 7 on a scale of 1 - 10.


Alden Amos Big Book Of Handspinning
by Alden Amos


I never realized that a dictionary for hand spinning could be such a good read. I find myself waiting for the next Alden bomb to drop.  He is full of witticisms and dry comments all meant to catch you off guard and make you laugh, thus rendering such a dry topic full of hilarity and interest. No one can do instruction like Alden Amos.  Only a wealth of years under your belt, and a great sense of humour is what allows Alden to take spinning to the level of science (and I mean physics and chemistry in the most in depth levels) and then be able to turn it back into something so simplistic and earthy. I loved this book. I'm not even finished it yet... though I'm working on that. It is captivating, in that if there is anything that you want to know about spinning then you will find it within these pages, but though it is meant to be an encyclopedia of information it does not read so infinitely unbiased... I hooted my way through the first three quarters of the book and I'm sure there will be plenty to hoot about in the next one quarter.... on a scale of 1 - 10 I rate it a 9.5.


Dye Plants And Dyeing
by John and Margaret Cannon


This book did not come from Interweave Press.  It was published by Timber Press in association with the Royal Botannical Gardens. It is quite an impressive book. The illustrations are quite lovely water colours and could stand alone as art. The book itself is quite a feat of science, with information on mordants and modifiers and scientific names for the chemicals in the plants themselves that cause things to dye.  For example, there are several pages dedicated to the description of chemicals found in plants and animals that cause dyeing pigments...an example of this would be the following...

"Anthracenes
      These include several pigments found in the Madder family such as alizazin,mungistin, and purpurin; emodin (from Persian berries) and polygonin (from Japanese knotweed). The insect dyes cochineal, kermes and lac are also included here...."
                                      
If you are a scientific dyer then this book would be most helpful. On a scale of 1 - 10 I rate it a 9.5 only losing the . 5 due to the fact that there are not photographic quality pictures of the dye on wools samples which is what I would want as a hand dyer.

Knitted Lace A Collection Of Favorite Designs From Interweave
by Anne Merrow       


If you are a lover of lace knitting as I am then this book will be a real piece of eye candy. Every pattern in this book has intricate detailed patterns.  I turned each page with a gasp and an exclamation of, "Oh! How pretty!" Detailed charts and graphs and a glossary of diagrams make this knitting book not for the faint hearted or for the beginner knitter.  It is full of complicated designs but they are beautiful to look at. On a scale of 1 - 10 I would rate this book a a good solid 7.5. and it only lost marks for the number of complicated patterns.


Poems Of Colour Knitting In The Bohus Tradition
by Wendy Keele


I had never heard of the Bohus Tradition so I thought I would buy this book and find out more.  I was disappointed to discover that is was just another type of stranded knitting.  I love stranded knitting. Next to lace it is my favorite kind of knitting and this book does have some lovely patterns in it.  It also has some interesting information in it on the Swedish Cottage Industry that initiated the tradition. However, it is a very specific book and that patterns are dated though they do try to update the patterns with interesting colour changes.  But as I said this is a very  specific book and not everyone would like this. It's appeal will be very limited I think.  You will have to be a bit of a history buff (which I am) in order to get the full benefit that comes from reading this book. On a scale of 1- 10 I rate this a 6.5.


Spin Control
by Amy King


Hmm... I had difficulty with this one. It is a good book I think but as in all spinning demonstration books a demonstration complete with action is always best.  I found myself flicking through the pages and not feeling really inspired or helped. Only so much can be covered on the topic of spinning and next to Judith Makenzie's Intentional Spinner this book is not as good.  It has all the basics but I was left thinking that somehow I didn't get it. There is nothing new covered in this book which has not been covered in any multitude of other books and it was not covered as well.  On a scale of 1 - 10... actually I won't rate this one as I just found it a pointless book. It will probably be on the trade table in September at our next meeting.


Woven Shibori
by Catherine Ellis


This is a real little gem. There are probably dozens of books out there on the topic of Shibori but I haven't read them... I have read this one and I found that I quite liked it.  There are lovely pictures to draw you in to the book and get you interested in the technique. The book describes the methods of Shibori dyeing on different weave structures.  Surface design is a big interest of mine and especially since I am interested in weaving with my own hand spun yarns so it is interesting how she takes the dyeing technique of Shibori and applies it to weave structures such as  monk's belt, twill, and laces, giving beautiful and subtle precision to an art form that is so free and creative. The instructions are lucid and easy to follow and at the same time could offer someone new to the topic a good challenge. Ellis taps into a limitless resevoir of possibility with each new project.  For the weaver or the dyer this book could be a true inspiration. On a scale of 1 - 10 I rate this a 9.