Wednesday, December 1, 2010

Christmas 2010 Issue

From The Desk Of The Editor
by Barbara N. (aka Frankie)

Christmas is just around the corner and most people are going to craft fairs and shopping on the weekends in order to meet the demands of this coming season. Here in Hudson’s Hope, our annual Craft Fair has just come and gone. Each year I think that I really should try to get things ready so that I can participate and have a table at our fair, and every year it passes me by once again. I just don’t seem to get enough product ready in time! That’s why it seems so strange to be able to say that I have been working on scarves and shawls all through the autumn splendor for a show that won’t happen until next year. Every 3 years the North Peace Spinners and Weavers have a show at the gallery in Fort St. John and next October will be the time to have everything ready for that. Our show’s title will be called Shawls, Scarves, Socks and Shoelaces, and so in a complete turn around from my normal behaviour, I have begun to prepare for that now! I’m shocked at myself frankly. With this in mind, I thought that it might be interesting to devote a newsletter and it’s articles to what people do to prepare for craft fairs, farmers markets and gallery shows.... or any venue where a good supply of product is necessary. We also have our normal reports, we have our president’s message and we have our traditional Pot Pourri. I have also included a pattern for Glomitts which you can knit with your homespun yarn for those you love and like to see have warm hands for the Christmas season. In addition I hope that you will find lots of information here that will help you get ready for the coming Christmas season.... and I hope that yours is full of peace joy and a wonderful sense of accomplishment as you look around you and see the pleasures of this happy time of year.


President’s Message
submitted by Rene G.

Hello to all – As I write this, snow is gently falling. After a beautiful fall, winter has arrived and is making itself known with cooler temperatures and of course, those flakes. Now is the time for serious fibre arts. It is ‘our’ season.

How did you all do in finishing off the warps from the Plain Weave workshop? Just recently I washed, finished and organized all the samples for my book. I think we all got some very interesting ideas and help from that workshop, not to mention that we all now know how to properly and efficiently prepare warps and get them on the looms. Jane was an outstanding teacher and a wonderful house guest too. I was very inspired.

Plans are coming along nicely for the next 2 conferences. You will hear more about spring in Fairview in the next newsletter when plans are finalized. Sandra Fearon is booked for the fall workshop in Hudson’s Hope. I want to give you a ‘heads up’ that there will be a maximum class size of 14 participants for that workshop. That is the top number we could squeeze out of the instructor, so it will be a first come/first serve basis again. If there is enough interest we will consider adding a second, different class. Please let me know what you think and what you would like to see.

There was a boat shuttle left after the last workshop. If you are missing one, let me know. It is possible that it is mine as I recently acquired some new-to-me ones and have not bonded with them yet. But I want to give you all first option because I do not know for certain.

Merry Christmas to all and to all happy, productive spinning and weaving. Rene


Fairview Guild
submitted by Doreen V.

We would like to extend a sincere thank you to Ft. St. John et al for hosting the fall conference.  It was a great weekend in which we had a great time visiting with other guilds and learning a great deal from Jane S.  Now we have to apply some of her techniques to our winter weaving.  Every Monday afternoon, the Fairview Fine Arts Centre is a-buzz in Studio 1.  Maisie, Ellen, Verla, Loretta and Doreen are busy doing something.  Most of the samples from the last two workshops have been finished with some extra warp for those who want to practice a bit more!  Maisie just finished a beautiful baby shawl for her newly born great-grandson on the sixty inch loom.  Ellen is going to finish a blanket on the same warp in a different colour.  Loretta is working on a table runner in the rep warp.  She is working on the 45 inch eight-harness loom and is doing a fine job.  Loretta is our mentor for getting us going and keeping us going!  Whenever we're in a bind, either Loretta or Maisie are there to help us out.  Verla is finishing a rug on the rug-loom.  We are using rags as weft.  Everyone will have completed at least one rug by the end of the month.  Maisie is almost finished her recycle bag and then Verla will try her luck on that loom. Loretta and Brittany finished the rug-mugs that have been on one of the looms forever, and I think the plan is to try to make some chenille weft that we can use on the rug loom to complete a rug and see what that looks like. Maisie has just about finished her Theo MoormanFairview would like to wish all of you a Merry Christmas, and great winter spinning, dyeing and weaving.

North Peace Spinners and Weavers (Fort St. John)
submitted by Barbara N. (aka Frankie)

The members of the NPSW have been preoccupied with many different things this fall. The Artspost is being threatened with closure and that hangs over all of us since we have really appreciated the ability to visit the Artspost and weave on any of the guild looms. There are ongoing meetings that are addressing our concerns to the Arts Council and we hope that they will not close the Artspost as it will mean that we once again do not have a central location in which we can come together to work on our various projects. We also are having difficulty filling some executive positions. While we have had these monkeys on our back Rene, our president continues to strive and keep us active. Besides hosting the PCSW fall conference, we have recently had a workshop for beginners on warping a loom and our October meeting saw us get together for a garage sale and swap and shop. We also had a wonderful day in September viewing the many distaff bags that were made to be sent to our sister guild the Pembrokeshire guild in Wales. We are happy to know that our Christmas parcel arrived at their guild in plenty of time for their Christmas party. We have now begun, in addition to our monthly spinning days, to get together at the Artspost once a month for a weaving day and we hope that this will meet with as much success as have the spinning days.
Christmas is coming and so we are all looking forward to our annual Christmas potluck and gift exchange which will be hosted this year at Rene’s house once again. Such a lovely day for a lovely season.... I’m sure we will all have a great time.

We send our best wishes to all in the PCSW for a happy and safe Christmas season.



Hudson’s Hope
submitted by Barbara N. (aka Frankie)

It has been a really quiet fall for the Hudson’s Hope Spinners and Weavers. Carol and I have gotten together just a couple of times to do some spinning and once to do some felting. We have been felting distaff bags and then embellishing them and they look really awesome.


I have been working on a lot of different handspun samples as I get ready for that gallery show that I mentioned in the editor’s blurb. So far I have two shawls completed and four scarves.

I am now in the process of knitting a fuchsia alpaca shawl in a lace pattern

and a Fair Isle shawl in a combination of cream blue and different shades of purple. Both are very striking even if I do say so myself. I have just finished spinning a lovely fine yarn in Optim which is a modified merino and Tencel product. It will be the warp for what hopefully will become a stunning scarf on my loom.

Carol has been working quite often in her new job and so has not had lots of time for spinning but is managing to get a few hours here and there to work on a 6-ply yarn for socks. Carol also has recently made the big decision to become a shepherd and what’s really neat is that as I down size my flock of sheep Carol’s flock is increasing. All good fun really.

The season for quiet restful ease with family and friends will soon here and we wish you all plenty of days to watch the flakes drifting slowly to the ground in a warm house with a hot cup of tea by your side as you complete all the projects you set for yourself... in other words a joyful Christmas season with all good wishes.

Saskatoon Lake Weavers
submitted by Mae T.

The Fall Conference at Fort St. john has everyone who attended completing samples and teaching those who were unable to attend. The Mohair seminar has Shannon, and Marion ready to apply what they have learned. The colours they have chosen are beautiful. Shannon is using the threading technique for her 100% Mohair afghan. We are all watching with interest.

Marion is threading tea towels in soft pastel shades. Joan has just completed hand towels in beige and brown. Verna May is weaving hand towels. Mae is threading a shawl pattern on Shuberts Serenade, 947 ends. A challenge. Gudrun just completed a rag rug. Dark background with choral contrast.

We have a new member, Nancy Rigby. Needless to say we are happy to have her.

Christmas is almost upon us and we are thinking about projects that are fast and attractive.

Happy Holidays

Valleyview Spinners And Weavers
submitted by Josie M.


Since it is our first time contributing to this newsletter, a quick overview of our club is in order.  We have a core group of about 12 members that meet once a month from September to May.  This is our fourth year together and we are trying to establish a little more structure and organization.  Not enough to take away the fun or casual atmosphere of our gatherings though.  We are now meeting (with a few exceptions) on the first Saturday of the month and this year we decided to do a Christmas gift exchange (home made, fibre based) and we are considering a group project  that will showcase our varied talents.
    Speaking of varied talents, the Valleyview group is quite diverse.  Many of our members are producers owning a very wide range of animals including specialty sheep like  Bluefaced Leicesters, Jacobs and Shetlands, as well as Cashmere goats and Angora rabbits.  Alpacas and llamas too.  I think we have just about everything covered.
The talents, skill levels and experience of our members  also encompass a wide range.  We have wet felters, needle felters. members with experience and expertise dyeing with natural and man made dyes, spinners, weavers and knitters. We even have a wide range of ages with 3 young people in our group, the youngest being 12 years old.
    So far this year we have had a planning meeting with summer Show and Tell, a gathering dedicated to spinning, a special presentation on 3D needle felting and have a dyeing session planned for next month.
    The special needle felting presentation was on November 13th.  Aleeta Haas of Beaverlodge generously donated her time to give our members and a few extra interested people a hands on lesson in 3D needle felting.  Aleeta brought several examples of her beautiful work to show to the group and many amazing projects were at least started that day.
    One of our members (me actually) has just recently completed illustrations for a locally written children’ s book.  The illustrations are all made of wool using both wet felting and needle felting

and will be available at the Grande Prairie Farmers Market Christmas Sale.  The author and illustrator have also been discussing a show with the Prairie Art Gallery.
      So much to tell.  Looking forward to the next newsletter.

Pot-Pourri
submitted by Joan Y.

There were many positive things about the fall conference at Fort St. John and I am grateful for all those who worked hard to make it so. One of the most long lasting things for me was that I was allotted the “Weft Faced” sample to do, with a warp threaded at 5e.p.i., and only 50 ends to thread! I have been weaving more samples ever since.

The weft-faced weave is great for rugs, place mats, tote bags, purses, chair pads, mug rugs, warm vests and so on. For instructions for a rag rug see Handwoven magazine 1991 Jan - Feb, and for a “beaded Amulet Pouch” see the May - April issue of 1996. I’m sure there are many other weft-faced projects in weaving magazines and books.

For those weavers who have not woven a weft-faced item, you thread your warp threads well spread (e.g. 5 e.p.i.) and use a soft, thick yarn for the weft, so that it beats together tightly to cover the warp completely. Many tapestries are woven in this method.

Our conference instructor gave us 5 patterns to try out, and also encouraged us to experiment and create our own patterns. this really stretched one’s mind, as the loom is threaded with a simple plain weave or twill threading. It’s the use of colour that makes the difference, combined with the manipulation of just 4 harnesses. I have managed to create a couple of different patterns.

I have discovered that this is a good method for using up thrums (of thick yarn), either short pieces for mug rugs, or longer ones for bags, etc. Just now I am weaving 10” wide pieces for small bags which will have side fringes. Try it, and have fun.

All good wishes for a Merry Christmas and a very happy New Year.


Fall 2011 Conference Update
submitted by Patricia M.

A 2 -day Shadow Weave Workshop with Sandra Fearon  on Sept. 23, Sept 24 and 25.
Friday evening the 23rd: I would like to just have a social (wine and cheese) for those who are going to be here that night. Maybe Sandra could be here also so we could have a 'meet and greet'.
Evening of the 25 she would give a talk about the GCW Testing Program.

Background: Sandra was here once before for a  conference which we held at St. Peter's. She had been in Bangladesh working with the people to develop their textiles for the American market. Her husband is a water resource engineer and interested in waterways and dams.

For Sale

I have a table model Leclerc warping mill for sale: $150   1.8 metres per rotation/maximum 22 yards total/height 38"/width 26"  Anyone interested can contact me at 250.783.9351 weekdays. I could bring it to the spring conference or mail it.
Thanks, Pat M.

Glomitts
submitted by Barbara N. (aka Frankie)

I wanted to make my brother-in-law a pair of Glomitts for Christmas. They are a hand covering that combined the qualities of gloves and mittens. They are also called Soldier’s mitts as they originated with people who use guns frequently and need the dexterity of their fingers but do not want to have their fingers get cold. You might know them as fingerless gloves with the flap that goes over the top of the fingers. I searched online for a pattern that might work and was surprised that this very practical item was not hardly mentioned anywhere. I could only find one pattern online and it was not at all what I was hoping to find. As a result of my research, (or lack there of), I decided to make my own pattern. I hope there are those of you out there that can make use of this knitted pattern.

Mens Glomitts

Using 4mm knitting needles cast on 50 stitches.

Row 1: *K 3, P2, repeat from * to end.

Row 2: Knit on knit stitches and purl on purl stitches.

Row 3: same as Row 1.

Row 4: same as Row 2.

Row 5: *Knit 3 and pass the first of the 3 over the other 2, P 2, repeat from * to end.

Row 6: * Knit 2, P1 increasing F and B, P1, repeat from * to end of row.

Continue on knitting rows 3 through 6 until you have completed 8 patterns.

Increase for the width of the hand in this way.

Knit rows 3 through 5.

Next Row: *K1 increasing F and B, K 1, P 1 increasing F and B, P1, repeat from * to end. 60 stitches.

Continue knitting the following rows until 4 more patterns have been completed.

Row 1: *K3, P3, repeat from * to end.

Row 2: Knit on knit stitches and purl on purl stitches.

Row 3: *K3 and pass the first of the 3 over the other 2, P3, repeat from * to end.

Row 4: *K3, P1 increasing F and B, P1, repeat from * to end.

Making the thumb hole: for the left hand glove.

Row 1: K3, (P3, K3) 3 times, K1.Then, knit the next 6 stitches in pattern with your contrasting scrap yarn. Drop contrasting scrap yarn so that both ends of it are hanging to the outside of the Glomitt (this makes it easier to remove the yarn later). Slide these 6 stitches off of the right needle back onto the left. Pick up your working yarn, and continue knitting Glomitt in the main pattern. This means you’ll knit the six stitches knit with the scrap yarn on your left needle again. Continue to the end of the row maintaining the pattern. Just keep knitting in the main pattern like nothing ever happened until 17 patterns have been repeated from the original cast on.

Cast off.

Making the thumb hole: for the right hand glove:

Row 1: (K3, P3,) 4 times, K2. Then, knit the next 6 stitches in pattern with your contrasting scrap yarn. Drop contrasting scrap yarn so that both ends of it are hanging to the outside of the Glomitt (this makes it easier to remove the yarn later). Slide these 6 stitches off of the right needle back onto the left. Pick up your working yarn, and continue knitting Glomitt in the main pattern. This means you’ll knit the six stitches knit with the scrap yarn on your left needle again. Continue to the end of the row maintaining the pattern. Just keep knitting in the main pattern like nothing ever happened until 17 patterns have been repeated from the original cast on.

Knit the thumb by removing the scrap piece of yarn and picking up 6 bottom stitches and 3 stitches in the side, 6 more across the top, and 3 more down the other side. There should be 18 stitches in all, divided over three sive 3 mm DPNs evenly. Knit thumb in stockinette stitch to length desired decreasing in this manner for the top of the thumb:

Next Row: *K2 tog, K1, repeat from * to end. 4 stitches per needle.

Next Row: Knit

Next Row: *K1, K2 tog, K1 repeat from * to end. 3 stitches per needle.

Break yarn and thread a darning needle, then pull the thread through all remaining stitches and draw tight, ending with a sewing stitch to hold the top of the thumb together. Darn in the tail of the thread.

Flap for the Glomitt:

Cast on 60 stitches with 4 mm needles.

Row 1: *K3, P3, repeat from * to end.

Row 2: Knit on knit stitches and purl on purl stitches.

Row 3: same as Row 1.

Row 4: same as Row 2.

Row 5: *K3 and pass the first of the 3 over the other 2, P3, repeat from * to end.

Row 6: *K3, P1 increasing F and B, P1, repeat from * to end.

Continue in pattern until 2 patterns have been completed.

Follow the first five rows of the pattern then:

Change to 3.25 mm needles and continue in stockinette stitch for 6 rows. Mark the middle of the row with a stitch marker.

Next Row: *K2, sl 1, K1, psso, knit to the last 4 stitches before the stitch marker*, K2 tog, K2. Pass the stitch marker from the left needle to the right and continue from * to * K2 tog, K2.

Continue in stockinette stitch for 2 rows.

Next Row: *K2, sl 1, K1, psso, knit to the last 4 stitches before the stitch marker*, K2 tog, K2. Pass the stitch marker from the left needle to the right and continue from * to * K2 tog, K2.

Continue in stockinette stitch for 2 rows.

Next Row: *K2, sl 1, K1, psso, knit to the last 4 stitches before the stitch marker*, K2 tog, K2. Pass the stitch marker from the left needle to the right and continue from * to * K2 tog, K2.

Continue in stockinette stitch for 1 row.

Next Row: *K2, sl 1, K1, psso, knit to the last 4 stitches before the stitch marker*, K2 tog, K2. Pass the stitch marker from the left needle to the right and continue from * to * K2 tog, K2.

Continue decreasing in this manner until 12 stitches are left. 6 before the marker and 6 after the marker.

To Cast off:

Slip first 6 stitches onto an extra size 3.25 needle or a stitch holder or a cable needle.

Fold the Flap in half and K 1 stitch from each needle together continuing in this manner until end. You should have 6 stitches. Cast off in usual manner.

Finishing the Glomitt

Sew the side seams on the glove and on the flap darning in any end as you go.

Stitch between the fingers, a few stitches with your darning needle, if you want the fingers defined. You can also leave the hand open.

Sew the flap on the back of the glove 1 inch from the top. The flap can be held open with a magnet... I use a hematite bead on the back of the Glomitt and on the tip of the flap.

The right hand glove is the same as the left except using the instructions for the right hand thumb directions.

Give them a try because they certainly are handy (no pun intended). Now that I have mine finished my dear husband is looking at them with a sparkle in his eye... I guess I had better not put those knitting needles away yet!

Preparing For A Sale
edited by Barbara N.

I thought it might be fun to sell at our local craft fair some of the stuff that I make. But I have always wondered how people were able to make so much and have so much product for all the craft fairs that occur at this time of the year. Not having had any experience in this area I thought I would ask a couple of friends who do have experience. This is what they had to say:

Getting Ready for a Craft Sale:
by Cheryl Peebles


I usually begin during or right after a sale….. I say this with a little tongue in cheek. I am never as prepared for a sale as I want to be – I never really have as much product as I want to have, and I never really hit the mark with what is the big item this year. But as I said I usually start to prep for next year right after the sale I’m in. I make plans to start in January – make 1 item a week: not a big task I don’t think (at the time) and plan to focus on just a few types of items. Let’s say this year I want to focus on T-towels, and placemats. Makes following through with the plan of 1 item a week a lot easier – one warp – lots of items. An item always sells better if there is a lot of choice in color, design, size…. (or so I think). There is a theory that one can expect to sell about half of what one brings.


In truth I diddle around through the year and about the end of August or mid September I freak out & start working really hard to get ready. Sometimes I manage to follow through with the idea of a focus item…. More often than not I end up with a bunch of items left from last year that I add to the mix.


One of the very best motivators for me is when I am sharing a booth at a juried show. Big money invested in the weekend and a colleague to answer too. We start out a couple months before the show (yes, way later than our original plan) make a goal & check in with each other every few days to see how & what we have accomplished. I find myself to be really productive when I am answering to someone else.


I sometimes make up a bunch of warps so that another is ready as I complete one. This works well for scarf warps. I try to make a warp at least 2 scarves long – thread the loom one night & weave it up the next – if I have a warp in waiting then I try to dress the loom again that night so I am ready to go the next night. (this is the procedure I use when I am working at a day job). A long t-towel warp ensures that I can get maybe 10 t-towels done before having to dress the loom again. I make sure I use a threading that I can get a lot of variation in pattern & color. In this case I would make myself weave a t-towel before leaving the loom- there is a lot of deal making with myself when in production. ie: weave a full item before leaving the loom, or get that item woven before going to bed or put in a minimum of 2hr on the loom or weave 1 hr have a cup of tea weave 1hr or weave all morning or….well, you get the picture. It may not work for everyone but I do manage to produce when working this way.


One really important factor in being successful at a sale is picking the right type of craft show to be in. I have found that if there is a lot of mop head dolls, Tupperware, and grandmas knitting with acrylic, this is a wrong place for selling hand weaving . If there is a lot of handwork like embroidery, pottery, wood working, stained glass etc.. then this type of show attracts the customer that are looking for something more unique, artisan produced. There is nothing wrong with crafts/ hobby type shows – I have just found that weaving & spinning doesn’t sell very well at them. Another big factor that I have experienced in a successful show is where it is held – if it is in a community (size doesn’t seem to matter) a long ways from a major shopping centre (like a mall) Sales are really, really good…. ( I speak of when I was in Stewart). I don’t know if there is a perfect recipe in preparing for a show, but I do know that we need to have lots for sale and there is no way to get there but to really work.


What say you all? I’m always open for ideas. Cheers Cheryl


Getting Ready for a Sale:
by Marion Walker


If you are planning to participate in a show or sale where you will be displaying your hand made goods, there are a few things you should consider before attending.
1) Do you have the time and energy to carry you through?
2) Is this a well attended and advertised event?
3) Have you heard good reports about this venue?
4) Are the other merchants carrying good quality items?

When getting ready for your event these are a few thing to consider.
1) Are my products able to compare to other high quality items?
2) Do I have enough product to carry me through the sale for the number of days it will run?
 I suggest that you start making your items a year in advance so that you have a good stock on hand.
3) Find a good friend or partner to share your booth with if you need help, or if it is an expensive show.
4) How to display my products is very important.  You will need lots of table space and shelving.  Plan on using items to elevate some of your products for eye appeal.  Decorative table cloths are needed and red is a color that will draw the customer into your booth.
5) Be informative to your customers when they ask you questions about your products.
6) Price your items for what they are worth.  Do not under price the value of your skill or the time it takes to create your items.
There are many customers who are unwilling to spend what your item is worth to you, but just remember that there are many more customers who will appreciate your creativity and time, and those are the customers you are looking for.



Most important of all is to have a pleasant attitude towards the customers. This will create a loyal customer base for you.   They certainly aren't going to step into your booth if you are negative or show a sour disposition.  Remember to smile and enjoy yourself.


These wise words from two very capable people have inspired me to work hard to finish all the items I have in mind for the gallery show next year, and who knows, maybe just maybe I might have enough stuff in time for the annual craft fair here in HH next year.

I hope this helps you in your endeavors to sell your creations...

Sunday, August 15, 2010

Summer Issue 2010

From The Desk Of The Editor
by Barbara N. (aka Frankie)

If you are like me then you are in full summer mode. I have been enjoying the great outdoors on my deck and have been doing some dyeing which is so awesome to do outside rather than messing up your kitchen inside. I don't have a garden this year as once again our animals (sheep and alpacas) have been given space in the fenced garden area as Hubby continues to fence more of our land for them. People all around me are talking about the gardens they have planted and no doubt there are quite a few of you starting to enjoy the fruits of your labour. That's why I've been enjoying both chemical and nature dyeing... I have time on my hands! While you are thinking about your garden it is a good time to think about looking for plants that will yield a good dye. We have a great article from Faye E. and her experiments with dyeing with sunflowers. For those of you interested in weaving but not in spinning or dyeing there is an interesting article on finger weaving for a Voyageur Sash. Also included in this edition of Threads Along The Peace are our usual column like the reports from the different guilds across the region that made the deadline for this newsletter. We also have our regular column Potpourri, and of course you will find the much needed information on the upcoming Fall Conference and workshop with Jane Stafford being held in Fort St. John.  So I do hope you take a minute away from back breaking weeding/harvesting and sit down with some lemonade or iced tea and enjoy this newest edition of Threads Along The Peace.

President's Message
by Renate G. 

It is a busy summer with lots to do. The weather has been amazing but we sure could use some rain here in Fort St. John. We have had to do a lot of watering of gardens this year.  Speaking of gardens, my flax patch is doing great. It is on schedule at about 30cm high and flowering. Gerry and I are heading off to Joybilee Farms in Greenwood, B.C. next week for their flax/linen day. We will see the process from garden to fabric. I can't wait to see and learn. I did get some cotton to germinate and after a setback (too much wind abusing the plants) they are now doing ok again. I have them in pots in the greenhouse for the summer. The dye garden is getting established with woad, weld, golden marguerites, madder (it overwintered!) and calendulas.

I am looking forward to the fall workshop and seminar and visiting with my fibre friends. It is very important that you check the schedule for the venue change. Remember that if you are not taking the workshop you can still attend the seminar/demonstration on warping with sticky yarns. It will be held at the Artspost (the address is in the schedule). There is a $10 cost if you are not registered for the workshop. Please attend the AGM and the general meeting on Saturday. This is where the important stuff gets hashed out and we need all the input possible to keep things moving smoothly and efficiently. And if that is not enough, there will be 3 or 4 vendors to help you not be too attached to your money. All in all, it's sure to be a good time.

Keep on spinning, weaving, felting, dyeing, knitting,..... there's nothing better than that.... Rene


Reports

Fairview
by Loretta S.
 
Greetings from Fairview Everyone!

The hot summer nights are turning into cool autumn evenings!?!…and has anyone seen the magnificent night skies lately?  Brilliant stars with a smattering of spectacular northern lights, Wow!  Combines are going great guns in the fields around Fairview, as with the rest of the dry Peace Country, we suspect.  The cranberries are turning crimson, and the bounties of gardens are being brought in (if the gardens were watered). 

As for the creative side at the Fairview Fine Arts centre, there have been the coming and going of the summer visitors through the gallery, however, the weaving studio has been pretty quiet, as everyone has been busy with summer activities.  The first part of September the Weavers will be heading back to the looms, firstly to get our warps ready for the Jane Stafford conference in FSJ, and then taking a look at the bigger looms to plan where our creative flair will take us this fall and winter.
.
Right now we have a double weave warp on the 36” for either bags or pillows, the ripsmatta warp that is coming along nicely for runners or placemats, and a rug that is warped to have two totally different sides is on the 45’ rug loom.  There are a couple Theo Moorman sample warps on the smaller table looms that are being finished up as well.  In the planning stages are a blanket pattern for the 60 “ loom, a new rug warp for the 45’ (either a Theo Moorman or a color schemed warp), a plain throw warp ready to be tied onto, and a chenille warp to go onto the little loom that has had mug rugs on for awhile.  We remember reading of a leno warp for chenille, that is supposed to lock in the thrums better than the plain weave warp, has anyone got any insight to this?  We seemed to have lost the exact instructions, or where we read them, and would sure appreciate any info or insight from any of you ladies with regards to weaving chenille for weft with thrums.  All in all, it promises to be a busy season in the Fairview weaving studio.   With any luck, we will be able to get a few new members, and maybe a spinner or two!  

Those of us who are heading to Ft St John in September, are looking forward to spending three great days learning all we can about plain (but not so plain) weave and sticky warps.  See everyone when we get there, and have a great rest of the summer!

Weaverly regards from the Fairview Guild!


Fort St. John
by Faye E.

The bounty of the August vegetable harvest is upon us and the bounty of the biggest and most plentiful saskatoons I have picked in 30 years!

On July 12 our beloved friend Anita passed away peacefull at the age of 87. She started to spin after a full working career and dedicated much of her free time to the betterment of Hudson's Hope.  She became a proficient spinner and she loved to dye with natural dyes, such as bed straw, woad, and marigolds. She was known for her hand knit hand spun patterned sweaters and shawls. The woad in her garden is going to be harvested in the fall, with her full permission. her cheerfulness, courage, and strength of character and indomitable spirit were an inspiration to us all. We miss her. her memorial service was postponed until September 4th at 1 p.m. at St. Peter's Church in Hudson's Hope due to illness of a family member.

At the end of April, one of our new members hosted a spinning meeting at her home. She had not met all of us yet, but was brave enough to open her home and we had a good spinning time and a lovely communal lunch.

Frankie held a meeting at her home in Hudson's Hope in May. Rene showed the gifts she had woven for her sisters. Lovely tea towels and scarves.

In June, we held a dyeing day at Charlie Lake at Mary's cabin. It was a beautiful hot day and we relished our time under the tall trees, with a good home cooked feast provided by the creative hands of each of the members who attended. We dyed with Osage orange, Alder bark, Horse tail, Indigo, Walnut, Stinging Nettle, all with good results.

The first weekend in July, Norma, Krista, and Lynda demonstrated spinning in one of the gardens of the fort St. John garden tour. the fourth weekend of July, Frankie hosted a retreat at her home in Hudson's Hope here after named the Anita Retreat in memory of Anita's passing. Marion W., Loretta S., Norma, Faye, Marnie, Frankie and Krista with Marion J. and Jill stopping by for afternoon visits completed the roster. The major theme of the retreat was dyeing and Loretta is now an experienced dyer. Faye learned how to card weave with Loretta's guidance to watch card weaving on You Tube. There were Qi Gong exercises under a very round moon each night. Lots of fun and great food.

The warping of the forest green acrylic bags is slowly progressing at Artspost. Faye continues tying on the second batch of cotton blankets, to be woven by Norma and Faye.

We are planning on spinning at the North Peace Fall Fair in August. Individual members try to enter as many of the categories for weaving, spinning, felting, and knitting as possible. It is an annual event that promotes finishing of UFO's.

We look forward to the Fall Conference. We look forward to seeing everyone! What a grand summer!

Hudson's Hope
by Barbara N. (aka Frankie)
It has been a sad summer here in Hudson's Hope, with the death of one of our friends, Anita McWilliams.  Anita had been battling cancer for several years and recently her illness took a turn for the worse. We watched, over the last several months, the decline of her health and energy. She had been spinning and knitting on one of her lovely Icelandic sweaters, right up until about two weeks before her death. She was a true inspiration to all who knew her. The spinners here in Hudson's Hope have decided to name their summer dyeing retreat The Anita Retreat For Spinners, Weavers and Dyers in honour of her memory (The Anita Retreat). Anita was always enthusiastic about nature dyeing and of course spinning. Spinners and dyers from Fort St. John, Fairview, Sexsmith, and Hudson's Hope got together on the forth weekend of July and had a wonderful time doing all the things that Anita enjoyed. Dyeing was, of course, at the top of the list, but some were spinning, weaving, and knitting too.... it was a real pleasure and I'm sure Anita was looking down on it all with a smile on her face.

Anita McWilliams: May 18, 1923- July 12, 2010



With Anita's passing, Lizzie's moving on in the spring, and Arla's move to Charlie Lake there only remains two members of our little group but we will carry on and hope that new members come and join us.  Carol and Frankie meet every second Tuesday at Frankie's house for a day of spinning and sometimes a little weaving.  Hopefully we will get new members soon.

Saskatoon Lake
by Mae T.

Our group has spent a considerable amount of time planning projects for the "Stars Trail Ride" silent auction. We have decided on rag rugs and bath towels. On August 3rd we are having a dyeing session for the rag rugs which should be fun. Verna May has just completed the warp for the bath towels in soft tones of pink, blue, and beige. The warp for the rag rugs is orange and gold, in very subtle contrast, completed by Marion. We all have a project on a loom to keep us busy until our turn to weave the rugs and towels.

Bev is making multi coloured place mats.
Marion is working on tea towels with geometric design in ecru and brown.
Mae is making an afghan with Buffalo wool acquired at a garage sale. The warp is ecru wool hand spun.
Joan is making Christmas cards with the Star of Bethlehem pattern.
Shannon is working on a Theo Moorman project.

Enjoy summer.


Potpourri
by Joan Y.


I wanted to do a column on humour and laughter this time, so I got some ideas written on a pad, then sat down at my computer and began typing. It went along fairly well except for numerous spelling errors due to memory  and vision loss, but I battled on till a good sized column was written. But alas, I did not remember to save it every 15 minutes as my computer coach had recommended, so with one little slip of a misplaced finger, it all went into oblivion.


So much for the ha ha, ho ho of a laughter club, and tricky spoonerisms I found etc. In case you aren't familiar with spoonerism, it's when you unintentionally transpose the first letter of two words or even parts of words. Perhaps you've heard about the minister who told the groom that it is "kistomery to cuss" the bride. Then there is the one about the long winded person telling her friends that she used to have a spinning wheel but wasn't very good at it. She inadvertently spoonerised the spinning wheel and came up with "winning spiel".  Her friends thought, she's right there.


Just in case this turns into a spiel, I'll close off with "happy summer to all" and hope to see you in September.



WORKSHOP INFORMATION 
Pushing the Boundaries of Plain Weave with Jane Stafford    
Sept 17, 18, 19 2010 Quality Inn Northern Grand Hotel

*IMPORTANT*

Please take note that there has been a venue change.  We were contacted by the college and informed that it is no longer available to us for this workshop.  So after some panic and lots of work, the conference will be held at the Quality Inn Northern Grand Hotel at 9834-100Ave 
telephone (250)787-0521.

They have been very accommodating and are offering a reduced rate for anyone wishing to stay there.  The cost for PCSW participants is $119 per night, which includes a hot breakfast.  Remember to mention PCSW when booking to get that rate.

Just a reminder that Jane Stafford requires all participants come to the workshop with their looms warped and ready to go. If you have a question or problem with a warp she asks that you contact her and get that straightened out before the workshop.  Don’t forget all your weaving type equipment – scissors, bobbin winder (can share), bobbins, shuttles, notebook, pen, tape, filler yarn for between samples, etc.

If you have any questions or concerns please feel free to contact me…..Rene

WORKSHOP SCHEDULE

Friday Sept 17th

8:15-9:00 registration, morning snacks
9:00-12:00 workshop
12:00-1:00 lunch, on your own.  There is a restaurant in the hotel or a few cafes down the road – a 2 – 5 minute walk
1:00-4:00 workshop
5:00 catered supper
7:00 seminar/demonstration – Warping with sticky yarns – held
        at the Artspost 10320-94 avenue

Saturday Sept 18th

8:15-9:00 morning snacks
9:00-12:00 workshop
12:00-12:30 lunch, provided
12:30-1:30 AGM and regular meeting
1:30-4:30 workshop
6:00 no host dinner at local restaurant

Sunday Sept 19th

8:30-9:00 morning snacks
9:00-12:00 workshop
12:00-1:00 lunch, provided
1:00-4:00 workshop

Dye yarn with natural dyes?  Why?
by Faye E.

Having leafed through a new nature dyeing book, I recognized the range of colours: brown, tan, beige, ivory, olive green, dull green, yellow, gold, light gold....not particularly inspiring.  Then I remembered last summer.  It was about 2 weeks before the dreaded frost.  I was dyeing as much as possible, using kale, chard, rhubarb leaves, anything in my garden that had an over abundance of growth, beyond the capacity of my freezer.  My dear husband had made a special covered area as an extension to our garage for my dye workshop.  He bought me a propane turkey fryer that normally is used on camping trips.  It is perfect for dyeing- well almost perfect- it is aluminum.

 I decided to use the petals of the sunflowers
to hopefully get a lovely sunny yellow.  I always grow sunflowers and love them.  I had never picked the petals before.  It was a hot August day and I love being in the garden with all the abundant growth and the fruits of my labour.  The scents of dill, and tomato plants and the ambience of being outdoors on a hot summer day, it is what we dream of all winter.  As I picked the sunflower petals, I celebrated the beauty of each sunflower.  They would be frozen in a week or two and then only useful as food for the moose.   A cautionary note, I did get stung on my hand, by an angry unidentified insect, a bee or a wasp, I suppose.  It was very painful.  But once the pain subsided, I was back to picking sunflower petals, albeit, more carefully and wearing gloves.  I picked a pound of petals.  The fragrance of the petals is delicate and sweet.  I had never noted their fragrance before.  It made me feel a little silly.  I thought I knew everything there was to know about sunflowers.  It was a delightful discovery.

So I proceeded to steep the petals and I produced a light yellow coloured yarn.  Not as bright as I had hoped.  I also used the leaves of the sunflowers which produced a light green.  Alum was the mordant used.

Recently I found this salad recipe from Homesteader Health Food store, using sunflower petals and it reminded me of my summer dyeing experience.  I look forward to spending lots of time dyeing with my summer produce and also the many plants that grow in the woods around my home.  I have a few ideas on how to produce deeper colours.  I will keep trying.  For me the experience of gathering the dye stuff is as important as the results.

Sunflower Salad
Sunflower petals are mild and sweet, adding colour and texture, while the dill and fennel flowers add their own distinctive aromas. Dill is also rich in sulphur. 


Dressing: 

3 Tbsp (45 ml) cold-pressed, organic olive oil 

1 Tbsp (15 ml) apple cider vinegar 

1 Tbsp (15 ml) lemon juice 

1 Tbsp (15 ml) flax oil 

1 tsp (5 ml) Dijon mustard 

1 tsp (5 ml) chopped parsley 

sea salt and pepper to taste 



Thoroughly cook potatoes, peel if desired and slice. Mix dressing ingredients well and add the potatoes, onions and radish. Arrange endive on plate and place potatoes in the centre. Garnish with flowers and serve.





Finger Weaving For The Brave Of Heart
By Barbara Nichols (aka Frankie)

I really took an interest in braiding a few years ago when Rosalie Nielson came to Hudson’s Hope for a workshop with the PCSW on REP Weave…. Maybe some of you will remember that workshop. She introduced us all to the Maru Dai and Kumi Himo Braiding. Well, that sparked my interest and I went home and had my husband build me a Maru Dai right away. Since then I have been keen to learn other ways of braiding too. It was when I joined the Master Spinning program at Olds college that I got really curious. I started to see people who were braiding in other methods too. The one that really got me was Finger Braiding.

Now as most of you know I have no thumb on my right hand so getting into complicated braiding or weaving that involves fingers is huge for me. It was last spring (early spring) when I was looking for a pattern for finger braiding that I came across a great web site for finger weaving….. I had to investigate to find out if finger braiding and finger weaving were the same thing. It quickly came apparent to me that they are not the same thing but they are similar. It was with that in mind that I embarked on a learning curve that would get me into all kinds of trouble! I have been finger weaving ever since.

I thought for this newsletter and since I usually write about spinning and it’s related topics that I would write about finger weaving.

The following are instructions for finger weaving a simple chevron sash.

All you need for finger weaving is wool, a back beam which can be as simple as a dowel, and your fingers. It is important to use wool because anything synthetic will be too slippery to yeild satisfactory results. I used the front beam on my rigid heddle loom as it provided a nice stable place to tie on.
Click on any of the pictures for a close up
 The first thing I did was go looking through my stash to find some wool that I had spun that would be appropriate for this project. I found a green, blue-violet, and red violet 2 ply yarn that I had produced a while ago. The yarn is about 10 wraps per inch. Any smaller than this and your sash will be too insignificant. I started my sash with 6 strands of green, 4 of blue-violet, and 2 of red-violet.

They were threaded in this manner:

G,G,G,BV,RV, BV,….. BV, RV, BV,G,G,G
Click on any of the pictures for a close up 


The dots in the middle indicate that you split the warp in two sections once it has been tied on. Tie on the way you would normally tie on a warp. Bring your warp threads under and up over your beam (or dowel), split the warp in half and tie the end of the threads down and under the warp threads.

Once you have tied on the next step is to make sure that your warp threads are in the right colour order. Remember it is

G,G,G,BV,RV,BV,….BV,RV,BV,G,G,G

Take your BV centre thread on the left and bring it under and over the threads on the right.

You will now have :

G,G,G,BV,RV,… BV,RV,BV,G,G,G,BV
Click on any of the pictures for a close up 


THAT WAS YOUR FIRST WEAVING.

In your next step you will take the right centre BV and weave it under and over the threads on the left..

You will now have:

BV, G,G,G,BV,RV….. RV, BV, G,G,G,BV
Click on any of the pictures for a close up 


THAT WAS YOUR SECOND WEAVING.

In your next step you will take the left centre RV thread and weave it under and over the threads on the right.

You will now have:

BV, G,G,G, BV,…. RV,BV,G,G,G,BV,RV

THIS WAS YOUR THIRD WEAVING.

In your next step you will take the right centre RV thread and weave it under and over the threads on the left.

You will have:

RV,BV,G,G,G, BV,…….BV,G,G,G,BV,RV

You will continue in this manner watching your tension and making sure theat you do not pull too hard that your sash collapses but so that you do not see daylight between the woven threads.
Click on any of the pictures for a close up 


Your sash should have a nice arrow beginning to form in just a few more rows.
Click on any of the pictures for a close up 

These sashes were traditionally used by the Voyageurs and were called La Ceinture Flechee. (la SANture FLAAshaa). They had many uses and were even used as cups if they were woven tight enough. Originally these sashes were finger woven but they were later mass produced in England for the market in Canada.

There are several patterns that were used in such sashes such as the chevron that I am showing you, but there were also la flambeau (flames), l’eclairs (lightning bolts) , la “W” (double chevron) and la tete de flesche (large two tone arrowhead).

The best, most readily available work in English on the subject of finger weaving is Finger Weaving: Indian Braiding by Alta R. Turner (Cherokee Publications, Cherokee, North Carolina : 1973).

Give it a try you never know you might just enjoy making a La Cienture Flechee yourself....


Scholarship Application

The purpose of granting this scholarship is to expand the knowledge base and in turn to further educate the members of the P C S W.

Two Scholarships of $200.00 each will be awarded.

Qualifications:
  1. Must be a current member of the “Peace Country Spinners & Weavers” in good standing for at least 2 consecutive years.
  2. Applicant must Provide 3 – 5 photos of works created by applicant. More recent is best.
  3. Include with the application - information regarding the course for which the scholarship it to be used.
  4. Brief explanation why / how this scholarship will assist you in your pursuit of the Fibre Arts Craftsmanship.
  5. The Recipient must be willing to share the knowledge gained from the course taken and be prepared to provide the PCSW with a presentation, workshop or Write up when completed.
 Deadline for Application: May 1,
Adjudication Date:    June 1,  






Name:

Address:

Phone number:      email:
                                                                                          






For privacy purposes we have not printed the address for sending in your application. For that information you can email the address below or call one of the executive's phone numbers which can be found on the latest phone list.

                   PeaceCountrySW@gmail.com

*Anonymity for the applicant will be maintained from the scholarship committee. 

For any comments on this newsletter or for any questions that you might want resolved  you can do so by sending it to our email address... PeaceCountrySW@gmail.com or you can leave your comments in the comments area below.

Thursday, March 25, 2010

Spring Issue

From The Desk Of The Editor
by Barbara Nichols (a.k.a. Frankie)
So there have been a few glitches with our first newsletter but persevere we will.... Having said that, communication is the best way of making everyone aware of the accessibility of our new format for our newsletter. The executive and I thought that it might be a bumpy ride until everyone was comfortable with this new way of publishing our news. I have had some excellent feedback that people like the pictures and that seems to be, at this point, the highest recommendation.... so do send me your pictures... it's a great way to "see" what everyone else is doing. I would really like to publish all that you are doing and the great pictures of events and projects that everyone is working on. In the meantime if you are having no problems with access to this newsletter and somebody you know is not getting theirs, help them out until we are through this initial rocky ride.

At the April meeting I will have an instruction sheet that will help with any problems that might be occurring. The biggest problem was people just dumping the email with the URL information without reading the email.... maybe because I sent it from my email address and it might have been unfamiliar to everyone.... we now have our own email and I will be sending out the newsletter information from that email address from this point forward. Our email address is.... PeaceCountrySW@gmail.com Forth coming announcements about the newsletter will be coming from that email.

In this newsletter there are some great articles full of helpful information. Check out Marjo Wheat's informative article on Flyer styles on spinning wheels.... this article may help you to pick your next wheel. I have also included an article on Argyle Socks.... and I hope you find that interesting.... in the meantime there is some important information from Marion Walker on the upcoming Spring conference in Sexsmith, as well as information on the Jane Stafford workshop in the fall from Rene. And of course our ever enjoyable reports from across the region and regular Potpourri... enjoy!

President's Message
by Rene Giesbrecht
Hi everyone – happy ‘almost’ spring. The weather has been so beautiful these past weeks reminding us that spring is not far away. I am thinking that it is time to start some plants. I will be trying something new in the garden this year. I have purchased three different types of fibre flax seed and hoping to give that a go. As part of the master spinner program, this year – level four – there is a focus on flax. I’ll let you know how it goes. My cotton growing endeavours have not yet been successful as the seed did not germinate. To be fair though, the seed was not fresh so that is the next step – find fresh seed. However, I am not ready to give up and will try again.

The warps from Jane Stafford have arrived and are gorgeous. Five of them are designated for more experienced weavers who are confident warping back to front. Please let me know if you would like one of these (or I can designate too J). So if you are registered for the fall workshop be sure to pick one up at our April day at Saskatoon Lake. I am very much looking forward to the day and subject matter. As part of a March workshop our local guild is having there will be a seminar entitled “Creative Recycling for Handspinners”. I am sure we will learn lots to pass onto the larger group.

See you soon………….Rene

Reports

Beaverlodge
by George Henn
Hi there you Peace Country Spinners and Weavers,

Most of the looms are as they were, but a 60", flying shuttle loom will be warped in an overshot pattern to use up some of the rayon chenille, that is still on hand.

After this week's break the table looms will be busy with Grade 4 students doing weaving and some will also be busy in pottery. The young weavers are very enthusiastic and Lynn is amazed how much some of these kids can accomplish. Being able to take their own weaving home is another incentive. Hopefully, we get some weavers out of that.

I have woven up some Merino to make some plaid scarves, lovely and soft. Turquoise, blue, white and black. Towards the end I ran out of turquoise, and substituted some hotter colour, should have done all of it, it picked it right up.

Marjorie and I are puttering along, although her painting should not be referred to in that manner.

Hope to see you all in the Lake Saskatoon Hall.
Happy weaving !

Marjorie and George

Fairview
by Doreen Verschoor
The fall conference inspired our Fairview weavers to such a point that Loretta has finished her Theo Moorman sample. Maisie, Ellen and Doreen are continuing to work on their sample. Doreen finished her two baby blankets and Verla completed the third. We have a double weave rug on the rug loom and everyone has completed one except Maisie and Doreen. Their turn is next. Loretta has threaded a tube on one of the looms and we are all going to try our hand at making two grocery bags from recyclable materials. Loretta has almost finished her first one. It's a real keepsake and a useful bag as well. Doreen is starting to warp material that she is going to tie-on to the pattern that Loretta used for her fall conference contribution to the waulking. Loretta's write-up and pictures from this conference have been sent to the Artists of the Peace Magazine, to give our fall conference of the PCSW some free publicity! On Monday afternoons, studio 1 at the Fairview Fine Arts Centre is buzzing with activity. We are looking forward to the Spring Conference and all your grocery bag creations. Till then keep weaving! Doreen V.

Fort St. John
by Faye Eggleston

Always lots of activities with the North Peace Spinners and Weavers. After our January business meeting we watched a video on weaving in South Asia. It is a Maiwa production called Tana Bana- Wisdom Of The Loom. The fine silk threads and complicated designs made us all feel incompetent. We were happy to have Marjorie Allen back in our fold as she had been in Edmonton for a long time nursing her ailing husband. We are happy that Doug is on the mend.
The third weekend in February is the traditional time for our Blueberry Retreat. Ten members attended. Two more came for the day on Saturday. Mild weather allowed for snowshoeing, early morning walks and star gazing on Saturday night. Qigong sessions were new this year too. These activities did not interfere with the flurry of spinning,

weaving, knitting,
and working....

Mary Brocke celebrated a Birthday with us (probably her 39th)
and her daughter Carolyn from Dawson Creek and her husband Leon surprised her with bouquets of roses
and platters of food and a Birthday cake. Speaking of the 4 cakes, including Linda Hawkes’ beautifully decorated cake,
that we had to consume, the food was as good and as plentiful as always. Friday night was pub night fare, sadly not including the beer. It was such a successful weekend there has been a request that next year the retreat be extended from Wednesday to Sunday.
A spinning meeting was held at the end of January at the home of Rene Giesbrecht. Carol Morrison who has moved to Ontario was our special guest. Our February spinning day was held at the home of Sue Clausen, 3 days after our Retreat. We are a dedicated group. Spinning days are special times of laughter, good food and spinning.
Our Artspost studio activities continue. Our successful shawl project has drawn to a close with 18 shawls, one of which can be seen here...
and 3 baby blankets, to be presented to a women’s shelter in Fort St. John. Eleven shawls were woven at Artspost. Others were woven, knit or crocheted independently. Rene Giesbrecht and Jill Sutton have been weaving double weave wool blankets. Norma Currie and Faye Eggleston have been weaving thick and thin cotton blankets, seen here...
Norma Currie and Krista Kienapfel are preparing a warp for a group project. Individuals will be able to weave an acrylic shopping bag in colours inspired by the rain forest. It will be woven as a double weave tube.
On March 6 a farewell party was held in Hudson’s Hope for Lizzie Hansen who is moving to New Brunswick. It is sad to say goodbye to Lizzie as she was a dedicated member of the Hudson’s Hope group. Members from Fort St. John and Hudson’s Hope were in attendance.
Trudy Korfman keeps our guild informed about her sheep shearing days and recently, three of our members purchased fleece from her.
A Spinning workshop is being held on the fourth weekend in March with Michelle Boyd. The Friday evening seminar is Creative Recycling for Hand spinners. The workshop is Spinning Superior Socks. 14 spinners are expected to attend.
So far, this has been the March we have always wanted and we hope the mild weather continues. We are looking forward to seeing everyone at the PCSW Spring gathering in Lake Saskatoon.

Hines Creek
by Lorena Vass
There is not much news to tell from here. I’m still in the process of finishing my bag for the Spring Conference. When sitting in front of the TV, I am spool knitting! – with a project in mind, but have doubts about its success. I’ve also been doing some sewing.
The Clear Hills County Trade Show, Hines Creek Agricultural Society Fair, and Hines Creek Arts & Crafts annual Display and Tea will take place April 10 in the Dave Shaw Memorial Complex in Hines Creek – a big weekend for us.
Everyone seems to be anxious for Spring to arrive, but I am happy to continue with indoor projects for awhile yet.
See you at the conference at Saskatoon Lake.

Hudson's Hope
by Barbara Nichols (a.k.a. Frankie)
By now I hope you are all starting to enjoy less snow and warmer temperatures. Here, we are all working on different projects. Carol and I enjoyed joining the Fort St. John guild for their annual Blueberry retreat... we got lots done even if we didn't get much sleep. Anita is getting back on her feet after her bad accident in the winter and it is good to see that she is starting to get out and about again. She is currently spinning silk that she found in her stash from some time ago. Carol is spinning up a storm as she changes from her usual 6 ply for socks down to a 4 ply cabled yarn also for socks. Rene joined us a few weeks ago to teach Carol and I how to thread an Inkle loom. I have mine warped, though it took taking it off three times before I got it right. Carol is still trying to dig hers out of storage and when she finds it we'll be weaving Inkle bands every Tuesday... meanwhile I'm still plugging away at my jacket commission and have just the sleeves to weave after a blunder with 'fulling'. I also am spinning lots of cotton and silk for my Master Spinner program and hope to finish before I head back to Olds in June. I also am working on a scarf in merino and Brooks Bouquet and a pick up Huck Lace and a shawl with alternating green angora rectangles and brown llama rectangles, both of which are great carry-along projects. We are so happy to have a new member in our little group and have added Linde Gellert as our newest spinner. She is very enthusiastic about learning to drop spindle. Valerie and Fay still join us on the last Friday of the month for moral support and their own knitting and crocheting adventures. But we are sorry to see Lizzie Hansen leave as she is one of my founding members here in Hudson's Hope. She and her husband are departing the first week of April for greener pastures... grandchildren and New Brunswick are drawing them away from us.... we wish her lots of luck in her new home and happy spinning. Meanwhile, I can't wait to see y'all in April.... it's been ages...

Saskatoon Lake
by Mae Trelle
With the sunshine and the warm weather, spring can't be far behind. The birds and squirrels certainly think so.

Our group has been busy with tea towels, hard towels, afghan, beautiful shawl, scarf, and our recycle project for the Annual Meeting April 24th.

Verna May's shawl, in blue, black, and pink with mixed fibres is beautiful. It shimmers.

Marion is working on a scarf in two tones of red. Very attractive.

The tote bag project using recycled material is progressing well. Everyone's is different and the results are surprising.

Joan is weaving a sample in preparation for a bedspread, Interesting.

Mae is weaving a play blanket in many different colours.

Gudrun is winding a warp for tea towels.

Shanon is weaving her tote bag.

We look forward to seeing everyone on April 24th. Happy Weaving.... Mae Trelle

Potpourri
by Joan Yates
Greetings all you fibre artists. As the days get longer and spring draws nearer, I have drifted into the land of whimsy.... It may sound like I've fallen into second childhood. No matter; see if you can sort it out.

I know I'm a senior now, because I can no longer weave my way through a crowd like I used to many years ago, when every adult seemed to loom over me, dominate me. Sometimes, amid the boots and belt buckles, there was hardly even a beam of sunshine to lead me out into the open. Don't children have a tough time of it?

Like the time my parents and I were looking at a wonderful castle (in England where we'd gone for a holiday) across a lake and little five year old Joan got a reed up her nose. Another time, a little neighbour came to visit me and put a huge dent in my new doll's face. That made me very cross, so I retaliated by making her stand in the draft of a doorway, where the winter wind would give her a cold!

However, life goes on, and I got a new lease on life as I grew older. I was allowed to go out to a barn yard shed where the colts hung out. The shed was old, and the boards rather warped, so I could peak through the holes between the boards and watch the smaller pigs shuttlefrom trough to trough when the bigger ones gave them the shaft.

Then, many years later, life changed again as it always does. I grew up, married a neighbouring farmer and raised three children. But strangely, threads of the past followed me into adulthood. There were pigs and horses in that phase of life, too. The horses often had their harness on, and gave the family many a jolly ride.

This yarn now shifts into another phase as life continues to do. The children grew up, and Joan moved on, to discover weaving! Soon, she was the owner of a loom, and a participant in weaving lessons. Then, a lot of words that had been familiar in childhood and early adulthood took on new meanings. Words such as loom and shuttle became nouns instead of verbs. Harness had nothing to do with horses. A beam was solid, not like a ray of light. A reed had many dents in it. Cross was not how a person sometimes felt, it was something you put in a warp!

Did you guess the first half of this yarn, where I was going? Words are strange things, fascinating though eh? I think Joan is a word smith. Eh?

PCSW Spring Conference 2010 Hosted by Saskatoon Lake Weavers
submitted by Marion Walker
April 24, 2010: "GOING GREEN"
Shopping Bag Exchange: We would like to encourage everyone to make a shopping bag made from recycled materials to exchange at the conference. If anyone has any other items made from recycled materials, would you please bring them for 'show and tell'.
Conference Costs: Members fee is $20.00, Non-members fee is $25.00. Please confirm your attendance by April 1, 2010 to Shannon Nelson; email is carlshom@telusplanet.net or by phone 780-532-1472.
Agenda:
8:30-9:00 am: Registration and coffee
9:00-11:00 am: SLW group presentation on 'Going Green'
11:00-12:00 pm: Karen Loberg's presentation as the Scholarship winner
12:00-1:00 pm: Lunch, Bag exchange and Door prizes
1:00-1:30 pm: PCSW meeting
1:30-2:30 pm: Shannon with demonstration on making 'Tamari Balls'
2:30 pm: Show and Tell

-the conference is being held at the 'Saskatoon Lake Hall' which is located on the Wembley/LaGlace highway. The Wembley/LaGlace road is right at the west entrance to Wembley (where the four lane highway to G.P. ends/or starts depending on which direction you are coming from) and runs North to LaGlace.

Sept. 17, 18, 19, 2010 Workshop with Jane Stafford Update
submitted by Rene Giesbrecht
Plans are coming along nicely. The class is full with 16 participants. Warps have arrived and will be distributed. Northern Lights College is booked and confirmed as the venue. We will not know about the use of residences until August, hopefully before the newsletter goes out, so we can include that information.

Jane has asked that in the event of a problem with a warp or the warping to feel free to contact her by phone (250)537-9468 or email at jane@janestaffordtextiles.com It is very important to have the warp on the loom and everything in place for the workshop.

Any questions? Please contact me………Rene


FYI
There are two articles this newsletter that made it into our FYI section.... hope you enjoy them.

Arrrgggyle Socks
by Barbara Nichols

I was given for Christmas a pair of navy socks with wee Scottish Terriers and Argyle style diamonds on them. I started to think about Argyle socks and decided to look up a little bit about their history.

I began my research by looking up on Google "Argyle Socks: a history". Since I knew that there was a Duke of Argyle, I thought that perhaps they were first developed, in part, due to him. Boy did I get an eye opener. Here's what I found out.

Argyle socks, the name, is a modern invention, since they weren't called that until around 1928 or so, but in actuality, Argyle socks, the thing, have been around in different forms since possibly ancient times. In order to give you a little information about them I have to back up a little and give you some information on the history of Scotland. Please know that I am not a Scottish historian and so there will be gaping holes in this brief history but remember we are trying to sort out Argyle socks, not the history and relations between Scotland and England which quite frankly are so tangled, it looks like a spider web that fell out of a tree and survived a hurricane! It would take someone better than me to untangle that mess.

During the 1700s there was an ongoing political battle between Scotland and England. The Stuarts, who had sat on the throne in England since just after the death of Queen Elizabeth the first, and were of Scottish descent, had lost the throne through conflict between the catholic and protestant church. Queen Mary and her husband William of Orange, took the throne of England and King James, who was a Stuart, was ousted rather resoundingly.

Scotland became divided in their support of the new king. Most of the lowlands of Scotland slowly came to support the new king of England and protestantism (through the influence of the Presbyterian church mainly) while most of the Scottish highlands remained loyal to the Stuart king and catholicism. The Highlanders began to collect money among their people in the early 1700s in an effort to encourage the Stuart's return to the thrown. The ex-king's son, who we know as Bonnie Prince Charlie, was being supported by Rome and France and the monies collected in Scotland. There were great hopes that the Stuarts would re-invade England through Scotland, with the help of their supporters, called Jacobites. Jacobites could be found all over Europe and the Stuart cause was supported by many in the European community. But Bonnie Prince Charlie was no true leader and was in fact a drunken fool, spoiled and thoughtless when it came to his own desires. He had no regard for the people who followed him. In 1746 there was a horrific battle in the Scottish highlands at the site of Culloden following several successful battles on the part of the Jacobites. However, worried about the outcome of the battle Bonnie Prince Charlie turned tail and escaped leaving the highlanders without a leader. At Culloden, the Jacobites were resoundingly defeated. The result of this battle had much to do with the subsequent affects on the dress of the Scottish highlanders.

In an effort to break the spirit of the highland clans, the King of England instituted the Dress Act or de-kilting act where all dress of the highland and even the highland pipes were banned. As a result of this act much information has been lost as to traditional Scottish Highland dress. The kilts of today and the Argyle socks that are used now are actually a re-creation of the original, and like all clothing has developed to the point that modern science has influenced much of how the highland dress is worn. It has changed greatly since the days of yore when kilts were worn as everyday dress.

So how did Argyle socks develop and when were they first used?

In ancient times the Celts were spread far and wide across the European continent eventually spreading to the British Isles. They brought with them a rich culture. But as Roman influence moved ever northward much of the Celtic culture was lost in mainland Europe. On the British Isles, however, Celtic culture remained in tact and unchanged especially in remote regions such as the Scottish highlands. The men of the highlands were shepherds, farmers and hunters. They would have been exposed to the elements since most of their activities would have been out of doors. From very early etchings the Celtic garb included short skirt-like garments in tartan, similar to the Roman kilt (so just long enough to cover the bum) over form fitting leggings. The leggings were probably made from leather originally, and were tubular in shape and would not have covered the nether regions... ; } thus the short kilt.

I am not sure when weaving became the practice for clothing but it was relatively early as we have examples of weaving from as far back as Egyptian times and probably earlier. Perhaps the Celts brought the practice of weaving with them when they came to the British Isles, however, for whatever the reason, we know that by medieval times short woven kilts were being used over leather leggings. Perhaps because leather was stiff or perhaps because leather was harder to tan and prepare than was woven material, but eventually the leggings were made from woven fabric sometimes with leather on the upper inner leg area probably to help the material withstand the rubbing of the legs together, or horse back riding might have been a factor for the leather. These leggings were called truibhas (a Gaelic word pronounced trews) which were the precursor to trousers. They were form fitting by being cut on the bias so as to fit the form of the leg better, and they also were cut from the same material as the tartan kilt.

Since being cut on the bias turned the grid pattern (sett) of the tartan on the diagonal it was the original Argyle pattern. For some reason the fashion of the kilt began to change and slowly the kilt became longer and trews became shorter. There seems to have been two types of trews at one point where there was an upper trew (which eventually were changed from form fitting to quite loose and are the beginnings of those God awful plaid golf knee length pants that we saw in the early years of the last century and are still around today as men's walking shorts) and a lower trew, (now known as Argyle socks) held in place by a garter either on the upper leg or the lower leg.
Eventually a sock or foot was knitted and attached to the bottom of the lower trew, either plain or in the same pattern. This was the precursor to modern hose (now known as Argyle socks).

Ok so now we need to look at the kilt for a moment. By the 1700s there was in use, the garment called the great kilt among clansmen, and depending on which clan you came from the kilt could be worn in many different ways. It seems that the technique for wearing a great kilt varies depending on what part of Scotland you are from and to this day is the basis for much debate. There is no one way to put on a great kilt. The great kilt was actually a large piece of material usually 25 inches wide by about 9 meters long for a large man. sometimes this would have been cut in two pieces and sown together to form a rectangle 144" x 50". The most common understanding which might be wrong, says that it would have been laid on the floor or ground and pleated or gathered by hand and then wrapped around the body and belted into place with a leather belt to which might have been attached a knife and sporran (leather bag for holding things).

Some people think that the fabric had loops on the inside through which a belt would have been drawn to form the pleats. Either way, the upper part would have been folded over the belt or thrown over the shoulders or used to keep the upper body warm in some manner. It could also be folded in a way for the excess material to form pockets. We all know the joke about what a man wears under his kilt.... nothing! This may be true but the legs would have to have been kept warm and this was done with trews.

You can see with the changes in trews over the years, how they led to trousers, short golfing pants, the modern day kilt with its lower hose and eventually Argyle socks.

I was really interested to know that the original Argyle socks were trews that were cut from the same material as the kilt and then turned on the bias for the stretch that was needed to shape the hose to the configuration of the leg. I was also interested that eventually some woman somewhere in the highlands got the great idea to attach a knitted foot to the woven trews. This was the precursor to the modern Argyle Sock.


Those who wear Scottish dress now wear kilts that are pleated with stitched pleats and knitted Argyle socks sporting a diamond pattern that matches the pattern of the kilt they are wearing. The first knitting machine was developed in the 1500s when the demand for hose was high. Prior to this, Argyle socks were knitted by hand and were not easily come by. By the mid 1600s knitting machines were much more common and so, knitted hose with diamond patterns were easier to come by. I imagine for warmth of the legs of the men who wore the kilts, these socks would have been knit with quite a heavy yarn from the typical highland sheep, possibly the Scottish Black Faced sheep which would have been the common sheep of the highlands at that time. After Culloden and the Dress Act or de-kilting act of the 1700s, traditional highland dress was not worn and so much information was lost. It was only after King George IV in 1822, visited the highlands that kilts and hose were re-instated for military dress only.


The Duke of Argyle (which would have been Clan Cambell) made popular, modern Argyle socks, around 1928 when hunting grouse was popular. The greatest area for hunting grouse was on and around the Argyle estate in Scotland. Part of these hunting weekends would be the country's national sport of playing golf. The typical golfing outfit would have been knee length pants (developed from trews) in a tartan pattern with socks (hose) of the same tartan. Thus the name Argyle became popular only after 1928 or so when hunting weekends among the elite were frequent on the Argyle estate.

Oh.. and by the way the kilt was worn by men only.... and there were hunting tartans for each clan that were drab colours to blend into the wild. Dress tartan would have had brighter colours. Women could only wear the clan tartan as a shawl or shoulder throw, pinned with a brooch that would have had the emblem of the clan. Funny how things change since tartan is sold in every shape imaginable now. And Argyle socks?... "weel, mine have wee Scotty dogs to sprrrruce up the diamond pattern.... "

So the next time you see that Argyle diamond know that there is a wealth of history behind them. Hmm... maybe you should consider knitting or weaving some nice Argyle patterned trews... socks.... leggings.... or the like.

Arrrgggyle socks!!! Whose up for a round of golf??!!

Mechanisms of Flyer Wheels
by Marjo Wheat

The development of the flyer-bobbin mechanism revolutionized hand spinning and greatly increased the efficiency of the work of the spinner. There are two types of flyer mechanisms:
Bobbin Lead
Flyer Lead,
And there are different ways the flyer mechanism can be driven:
Single Drive
Double Drive

Bobbin Lead (Irish Tension)


In the bobbin lead flyer mechanism the drive band turns the bobbin. The yarn linking the bobbin to the flyer band turns the flyer around. The flyer is held back by an adjustable brake band which allows the yarn to wind onto the bobbin. The spinner builds the twist by restraining the yarn from winding on. This type of wheel is best used for bulky yarns. It is the type of mechanism I have on my “Indian Spinner” which is a large flyer-bobbin mechanism set on the base of an a sewing machine treadle. The drive band goes around the wheel, then the bobbin. Holding back on the yarn as it is spun helps put the twist into it. There is a small string with a rubber band that I can put on the flyer mechanisms if it needs braking. This spinner makes the thick “Indian Sweater” yarn.

Flyer Lead (Scotch Tension)


In the flyer lead mechanism the drive band turns the flyer through a separate whorl at the bobbin end of the flyer shaft or a whorl built onto the orifice end of the flyer. The bobbin is dragged around by the yarn and is held back by a brake band (Scotch Tension) on the bobbin. The brake band can be adjusted to vary how easily the bobbin can slip and twist can build up on the yarn. Relaxing the pull on the twisted yarn allows it to wind onto the bobbin. The brake tension may have to be adjusted as the yarn build up on the bobbin. Scotch Tension can be easily learned by the beginner spinner and is a flexible system.


Single Drive

A single drive wheel has a drive band that goes once around the wheel and the flyer and has a separate brake on the bobbin or the flyer. This is known as the Scotch tension braking system.
The Ashford traditional wheel is an example of the single wheel drive. The drive band goes around the wheel and then around the flyer. There is a scotch tension brake on the bobbin. The Scotch tension consists of a string with an attached rubber band that is attached to the maiden on either side. On some wheels a small spring will replace the rubber band. It can be loosened and tightened to provide the type of tension needed. This is a great wheel for beginners learning to spin as it is easy to operate and the Scotch tension system is simple to use.

Double Drive

A double band wheel has a drive band that goes around the wheel and the spinning head twice in a figure 8. The bobbin and the whorl (attached through the shaft to the flyer) are each independently turned. The bobbin pulley is smaller that the flyer whorl or pulley, thus the flyer pulley spins faster, twisting the yarn and winding it onto the bobbin. The amount of twist in the yarn is dependent on the ratios between the pulley of the bobbin and the pulley of the flyer as well as the amount the bobbin is allowed to slip by the drive band. (Slippage of the bobbin will, however, alter the ratio between the flyer pulley or whorl and the bobbin pulley or whorl.) No brake is used. Whorls may come in different ratios to give the spinner more flexibility in the preparation of yarns.
The double drive gives the spinner good control over the draw-in and the twist of the yarn and is particularly good for fine yarns. Some double drive wheels can be converted to using Scotch Tension giving the spinner greater flexibility.